On Constantine’s apocryphal gift, symbolized by the emblems of Christ’s
passion, rested the secular authority of the popes, which Walther laments
with the angels. “The Chair of Rome was first set up by Sorcerer Gerbert!
[Queer history this, but we see what he means.] He destroyed his own soul
only; but this one would bring down Christendom with him to perdition.
When will all tongues call Heaven to arms, and ask God how long He will
sleep? They bring to nought His work, distort His Word. His steward steals
His treasure; His judge robs here and murders there; His shepherd has
become a wolf among His sheep.”[22] The clergy point their fingers
heavenward while they travel fast to hell.[23] How laughs the Pope at us,
when at home with his Italians, at the way he empties our German pockets
into his “poor boxes.”[24] Walther’s hatred of the foreign Pope is roused
at every point. And at last, in a _Spruch_ full of implied meaning, he
declares that Christ’s word as to the tribute money meant that the emperor
should receive his royal due.[25]
These utterances, considered in the light of the political and racial
situation, seem to deny, at least implicitly, the secular power of the
papacy. Yet in matters of religion Walther apparently was entirely
orthodox, and a pious Christian. He has left a sweet prayer to Christ,
with ample recognition of the angels and the saints, and a beautiful verse
of penitent contrition, in which he confesses his sins to God very
directly--how that he does the wrong, and leaves the right, and fails in
love of neighbour. “Father, Son, may thy Spirit lighten mine; how may I
love him who does me ill? Ever dear to me is he who treats me well!”[26]
Walther’s questing spirit also pondered over God’s greatness and
incomprehensibility.[27] His open mind is shown by the famous line: “Him
(God) Christians, Jews, and heathen serve,”[28] a breadth of view shared
by his friend Wolfram von Eschenbach, who speaks of the chaste virtue of a
heathen lady as equal to baptism.[29]
Public-domain text, read in full here on John Shaqi.
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