The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
It is entirely consistent with the view here taken of the primitive
nature of sacrifice, that the fertilization spirit was sacrificed at
the village festivals in its vegetable as well as in its animal form.
There were bread-offerings as well as meat-offerings[432]. Sacramental
cakes were prepared with curious rituals which attest their primitive
character. Like the _tcharnican_ or Beltane cakes, they were kneaded
and moulded by hand and not upon a board[433]; like the loaf in the
Anglo-Saxon charm, they were compounded of all sorts of grain in order
that they might be representative of every crop in the field[434].
At the harvest they would naturally be made, wholly or in part, of
the last sheaf cut. The use of them corresponded closely to that made
of the flesh of the sacrificial victim. Some were laid on a branch
of the sacred tree[435]; others flung into the sacred well or the
festival-fire; others again buried in the furrows, or crumbled up and
mingled with the seed-corn[436]. And like the flesh they were solemnly
eaten by the worshippers themselves at the sacrificial banquet. With
the sacrificial cake went the sacrificial draught, also made out of the
fruits of the earth, in the southern lands wine, but in the vineless
north ale, or cider, or that mead which Pytheas described the Britons
as brewing out of honey and wheat[437]. Of this, too, the trees and
crops received their share, while it filled the cup for those toasts
or _minnes_ to the dead and to Odin and Freyja their rulers, which
were afterwards transferred by Christian Germany to St. John and St.
Gertrude[438].
Public-domain text, read in full here on John Shaqi.
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