The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The hobby-horse is an example of an apparently grotesque element which
is found widespread in folk-processions, and which a previous chapter
has traced to its ritual origin. The man clad in a beast-skin is the
worshipper putting himself by personal contact under the influence
and protection of the sacrificed god. The rite is not a very salient
one in modern winter processions, although it has its examples, but
its historical importance is great. A glance at the ecclesiastical
denunciations of the Kalends collected in an appendix will disclose
numerous references to it. These are co-extensive with the western area
of the Kalends celebrations. In Italy, in Gaul, in southern Germany,
apparently also in Spain and in England, men decked themselves for
riot in the heads and skins of cattle and the beasts of the chase,
blackened their faces or bedaubed them with filth, or wore masks fit
to terrify the demons themselves. The accounts of these proceedings
are naturally allusive rather than descriptive; the fullest are given
by a certain Severian, whose locality and date are unknown, but
who may be conjectured to speak for Italy, by Maximus of Turin and
Chrysologus of Ravenna in the fifth century, and by Caesarius of Arles
in the beginning of the sixth. Amongst the _portenta_ denounced is a
certain _cervulus_, which lingers in the _Penitentials_ right up to
the tenth century, and with which are sometimes associated a _vitula_
or _iuvenca_. Caesarius adds a _hinnicula_, and St. Eadhelm, who is
my only authority for the presence of the _cervulus_ in England, an
_ermulus_. These seem to be precisely of the nature of ‘hobby-horses.’
Men are said _cervulum ambulare_, _cervulum facere_, _in cervulo
vadere_, and Christians are forbidden to allow these _portenta_ to
come before their houses. The _Penitential_ of the Pseudo-Theodore
tells us that the performers were those who wore the skins and heads
of beasts. Maximus of Turin, and several writers after him, put the
objection to the beast-mimicry of the Kalends largely on the ground
that man made in the image of God must not transform himself into the
image of a beast. But it is clear that the real reason for condemning
it was its unforgettable connexion with heathen cult. Caesarius warns
the culprit that he is making himself into a _sacrificium daemonum_,
and the disguised reveller is more than once spoken of as a living
image of the heathen god or demon itself. There is some confusion of
thought here, and it must be remembered that the initial significance
of the skin-wearing rite was probably buried in oblivion, both for
those who practised it and for those who reprobated. But it is
obvious that the worshipper wearing a sacrificial skin would bear a
close resemblance to the theriomorphic or semi-theriomorphic image
developed out of the sacrificial skin nailed on a tree-trunk; and
it is impossible not to connect the fact that in the prohibitions a
Public-domain text, read in full here on John Shaqi.
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