The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The primary function of the _sociétés joyeuses_ and their congeners
was the celebration of the traditional Feast of Fools at or about
the New Year. In Paris, Twelfth night was a day of festival for the
_Basoche_ as well as for the minor association of exchequer clerks
known as the _Empire de Galilée_. In mid-January came the _fête des
Braies_ at Laon, and the _fête_ of the _Abbaye de Lescache-Profit_ at
Cambrai. That of the _Prince des Sots_ at Amiens was on the first of
January itself[1349]. On the same day three _sociétés joyeuses_ united
in a _fête de l’âne_ at Douai[1350]. But January was no clement month
for the elaborated revels of increasingly luxurious burghers; and it
is not surprising to find that many of the _sociétés_ transferred
their attention to other popular feasts which happened to fall at more
genial seasons of the year. To the celebration of these, the spring
feast of the carnival or Shrovetide, the summer feasts of May-day or
Midsummer, they brought all the wantonness of the Feast of Fools.
The _Infanterie Dijonnaise_, the _Cornards_ of Rouen and Evreux, the
third Parisian law association, that of the _Châtelet_, especially
cultivated the carnival. The three obligatory feasts of the _Basoche_
included, besides that of Twelfth night, one on May-day and one at the
beginning of July[1351]. On May-day, too, a guild in the parish of
St. Germain at Amiens held its _fête des fous_[1352]. It may be noted
that these summer extensions of the reign of folly are not without
parallels of a strictly ecclesiastical type. At Châlons-sur-Marne, as
late as 1648, a chapter procession went to the woods on St. John’s eve
to cut boughs for the decking of the church[1353]. At Evreux a similar
custom grew into a very famous revel[1354]. This was the _procession
noire_, otherwise known as the _cérémonie de la Saint-Vital_, because
the proceedings began on the day of St. Vitalis (April 28) and lasted
to the second Vespers on May 1. Originally the canons, afterwards the
choir-clerks, chaplains, and vicars, went at day-break on May morning
to gather branches in the bishop’s woods. Their return was the signal
for riotous proceedings. The bells were violently rung. Masks were
worn. Bran was thrown in the eyes of passers-by, and they were made to
leap over broomsticks. The choir-clerks took the high stalls, and the
choir-boys recited the office. In the intervals the canons played at
skittles over the vaults; there were dancing and singing and the rest,
‘as at the time of the Nativity[1355].’ The abuses of this festival
must have begun at an early date, for two canons of the cathedral, one
of whom died in 1206, are recorded to have been hung out of the belfry
windows in a vain attempt to stop the bell-ringing. Its extension
to St. Vitalis’ day is ascribed to another canon, singularly named
Bouteille, who is said to have founded about 1270 a very odd _obit_. He
desired that a pall should lie on the pavement of the choir, and that
Public-domain text, read in full here on John Shaqi.
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