The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
on each corner and in the middle of this should stand a bottle of wine,
to be drunk by the singing-men. The canon Bouteille may be legendary,
but the wine-bottle figured largely in the festival ceremonies. While
the branches were distributed in the bishop’s wood, which came to be
known as the _bois de la Bouteille_, the company drank and ate cakes.
Two bottle-shaped holes were dug in the earth and filled with sand.
On the day of the _obit_ an enormous leather bottle, painted with
marmosets, serpents, and other grotesques, was placed in the choir.
These rites were still extant at Evreux in 1462, when a fresh attempt
to suppress the bell-jangling led to a fresh riot. No explanation is
given of the term _procession noire_ as used at Evreux, but a Vienne
parallel suggests that, as in some other seasonal festivals, those who
took part in the procession had their faces blacked. At Vienne, early
on May 1, four men, naked and black, started from the archbishop’s
palace and paraded the city. They were chosen respectively by the
archbishop, the cathedral chapter, and the abbots of St. Peter’s and
St. John’s. Subsequently they formed a _cortège_ for a _rex_, also
chosen by the archbishop, and a _regina_ from the convent of St.
Andrew’s. A St. Paul, from the hospital dedicated to that saint, also
joined in the procession, and carried a cup of ashes which he sprinkled
in the faces of those he met. This custom lasted to the seventeenth
century[1356].
But the seasonal feasts did not exhaust the activities of the
_sociétés_. Occasional events, a national triumph, a royal entry, not
to speak of local _faits divers_, found them ready with appropriate
celebrations[1357]. The _Infanterie Dijonnaise_ made a solemn
function of the admission of new members[1358]. And more than one
_société_ picked up from folk-custom the tradition of the _charivari_,
constituting itself thus the somewhat arbitrary guardian of burgess
morality[1359]. M. Petit de Julleville analyses a curious _jeu_ filled
with chaff against an unfortunate M. Du Tillet who underwent the
penalty at Dijon in 1579 for the crime of beating his wife in the month
of May[1360]. At Lyon, too, _chevauchées_ of a similar type seem to
have been much in vogue[1361].
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