The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[101] Kögel, i. 1. 122, quoting Paulus Diaconus, i. 27.
[102] Kögel, i. 1. 122; i. 2. 220; Gautier, i. 72; G. Paris, _Hist.
Poét. de Charlemagne_, 50; cf. _Poeta Saxo_ (†890) in _M. G. H.
Scriptores_, i. 268 ‘est quoque iam notum; vulgaria carmina magnis
laudibus eius avos et proavos celebrant. Pippinos, Karolos, Hludiwicos
et Theodricos, et Carlomannos Hlothariosque canunt.’
[103] Gautier, i. 37; Gröber, ii. 1. 447. The shades of opinion on the
exact relation of the _cantilenae_ to the _chansons de gestes_ are
numerous.
[104] _Vita S. Willelmi_ (_Acta SS. Maii_, vi. 801) ‘qui chori iuvenum,
qui conventus populorum, praecipue militum ac nobilium virorum, quae
vigiliae sanctorum dulce non resonant, et modulatis vocibus decantant
qualis et quantus fuerit’; cf. Gautier, i. 66. The merest fragments
of such folk-song heroic _cantilenae_ are left. A German one, the
Ludwigslied, on the battle of Saucourt (881) is in Müllenhoff und
Scherer, _Denkmäler deutscher Poesie und Prosa_ (1892), N^o. xi; cf.
Kögel, i. 2. 86; Gautier, i. 62. And a few lines of a (probably)
French one on an event in the reign of Clotaire (†620) are translated
into Latin in Helgarius (†853-76), _Vita S. Faronis_ (_Historiens de
France_, iii. 505; Mabillon, _Acta SS. Benedictinorum_, ii. 610).
Helgarius calls the song a ‘carmen rusticum’ and says ‘ex qua victoria
carmen publicum iuxta rusticitatem per omnium pene volitabat ora ita
canentium, feminaeque choros inde plaudendo componebant.’ The _Vita S.
Faronis_ in _Acta SS._ lx. 612, which is possibly an abridgement of
Helgarius, says ‘carmine rustico ... suavi cantilena decantabatur’; cf.
Gautier, i. 47; Gröber, ii. 1. 446.
[105] Ten Brink, i. 148, quotes from _Hist. Ely_, ii. 27 (†1166), a
fragment of a song on Canute, ‘quae usque hodie in choris publice
cantantur,’ and mentions another instance from Wm. of Malmesbury. Cf.
_de Gestis Herewardi Saxonis_ (Michel, _Chron. Anglo-Norm._ ii. 6)
‘mulieres et puellae de eo in choris canebant,’ and for Scotland the
song on Bannockburn (1314) which, says Fabyan, _Chronicle_ (ed. Ellis),
420, ‘was after many days sungyn in dances, in carolles of ye maydens
and mynstrellys of Scotlande’; cf. also Gummere, _B. P._ 265.
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