The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[135] _Ep._ clxxv (799), to Adalhart, Bp. of Old Corbey, ‘Vereor, ne
Homerus [Angilbert] irascatur contra cartam prohibentem spectacula et
diabolica figmenta. quae omnes sanctae scripturae prohibent, in tantum
ut legebam sanctum dicere Augustinum, “nescit homo, qui histriones
et mimos et saltatores introducit in domum suam, quam magna eos
immundorum sequitur turba spirituum.” sed absit ut in domo christiana
diabolus habeat potestatem’ (the quotation from Augustine cannot be
identified): _Ep._ ccxxxvii (801), also to Adalhart, ‘quod de emendatis
moribus Homeri mei scripsisti, satis placuit oculis meis ... unum fuit
de histrionibus, quorum vanitatibus sciebam non parvum animae sui
periculum imminere, quod mihi non placuit, ... mirumque mihi visum est,
quomodo tam sapiens animus non intellexisset reprehensibilia dignitati
suae facere et non laudabilia.’ Angilbert also seems to have had
relations unbecoming an abbot with one of the ‘coronatae columbae.’
[136] _Capit. of Mantua_ (Boretius, i. 195), can. 6 ‘neque ulla iocorum
genera ante se fieri permittant quae contra canonum auctoritatem
eveniunt.’
[137] _Capit. Generale_ (Boretius, i. 64; _P. L._ xcvii. 188), c. 31
‘ut episcopi et abbates et abbatissae cupplas canum non habeant, nec
falcones, nec accipitres, nec ioculatores.’ If this is the _carta_ of
Alcuin’s _Ep._ clxxv, and I know of no other which it can be, Dümmler’s
date for the letter of 799 seems too late. Mabillon’s 791 is nearer the
mark.
[138] _Capit. Gen._ (Boretius, i. 96), can. 23 ‘cleri ... non inanis
lusibus vel conviviis secularibus vel canticis vel luxuriosis usum
habeant.’
[139] _Conc. of Tours_ (Mansi, xiv. 84), c. 7 ‘histrionum quoque
turpium et obscoenorum insolentiis iocorum et ipsi [sacerdotes] animo
effugere caeterisque sacerdotibus effugienda praedicare debent.’
[140] Einhard, _Vita Caroli Magni_, c. 29 ‘barbara et antiquissima
carmina, quibus veterum regum actus et bella canebantur, scripsit
memoriaeque mandavit.’
[141] Alcuin, _Ep._ cxlix (798), to Charlemagne, ‘ut puerorum saevitia
vestrorum cuiuslibet carminis dulcedine mitigaretur, voluistis’;
Alcuin, who doubtless had to _ménager_ Charlemagne a little, is
apparently to write the poem himself.
[142] Kögel, i. 2. 222. The _Chronicon Novaliciense_, iii. 10,
describes how after crossing Mt. Cenis in 773, Charlemagne was guided
by a Lombard _ioculator_ who sung a ‘cantiunculam a se compositam de
eadem re rotando in conspectu suorum.’ As a reward the _ioculator_
had all the land over which his _tuba_ sounded on a hill could be
heard. The _Monachus S. Galli_ (Jaffé, _Bibl. rer. Germ._ iv), i. 13,
tells how (†783) a _scurra_ brought about a reconciliation between
Charlemagne and his brother-in-law Uodalrich. The same writer (i. 33)
mentions an ‘incomparabilis clericus’ of the ‘gloriosissimus Karolus,’
who ‘scientia ... cantilenae ecclesiasticae vel iocularis novaque
carminum compositione sive modulatione ... cunctos praecelleret.’
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