The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[165] _Aucassin et Nicolete_ (†1150-1200), ed. Bourdillon (1897), 22.
The term ‘caitif’ has puzzled the editors. Surely the minstrel has
in mind the abusive epithets with which the clergy bespattered his
profession. See Appendix B.
[166] See especially _Le Tombeor de Notre Dame_ (_Romania_, ii. 315).
Novati (_Rom._ xxv. 591) refers to a passage quoted by Augustine, _de
Civ. Dei_, vi. 10, from the lost work of Seneca, _de Superstitionibus_,
‘doctus archimimus, senex iam decrepitus, cotidie in Capitolio mimum
agebat, quasi dii libenter spectarent quem illi homines desierant.’
Somewhat similar are _Don Cierge qui descendi au Jougleour_ (Gautier de
Coincy), _Miracles de Nostre Dame_ (†1223, ed. Poquet, 1859), and _Le
Harpeor de Roncestre_ (Michel, _Roms., Contes, Dits, Fabl._ ii. 108).
_Saint Pierre et le Jongleur_ (Montaiglon Raynaud, v. 117) is a witty
tale, in which a minstrel, left in charge of hell, loses so many souls
to St. Peter at dice, that no minstrel has been allowed there since. B.
Joannes Bonus (_Acta SS. Oct._ ix. 693) was a minstrel in his youth,
but the patron saints of the minstrels were always St. Genesius the
mime (cf. p. 10), and St. Julian Hospitator (_Acta SS. Jan._ iii. 589),
who built a hospital and once entertained an angel unawares.
[167] Paris, 113; Bédier, 333.
[168] Brooke, _Eng. Lit._ 305; Ten Brink, i. 149.
[169] Sophus Bugge, in _Bidrag til den aeldste Skaldedigtnings
Historie_ (1894; cf. L. Duvau in _Rev. Celt._ xvii. 113), holds that
Skaldic poetry began in the Viking raids of the eighth and ninth
centuries, under the influence of the Irish _filid_. The tenth-century
skald as described in the _Raven-Song_ of Hornklofi at the court of
Harold Fair-hair is very like the _scôp_ (_C. P. B._ i. 254), and here
too tumblers and buffoons have found their way. Cf. Kögel, i. 1. 111;
E. Mogk, in Paul, _Grundriss_^2, iii. 248.
[170] Guy of Amiens, _de Bello Hastingensi_ (†1068), 391, 399:
‘Histrio, cor audax nimium quem nobilitabat ...
... Incisor-ferri mimus cognomine dictus.’
Wace, _Roman de Rou_ (†1170) (ed. Andresen, iii. 8035):
‘Taillefer, ki mult bien chantout,
Sor un cheval ki tost alout,
Devant le duc alout chantant
De Karlemaigne et de Rolant
Et d’Oliver et des vassals
Qui morurent en Rencevals.’
Cf. Freeman, _Norman Conquest_, iii. 477.
[171] Domesday Book, _Gloc._ f. 162; _Hants_, f. 38 (b). Before the
Conquest, not to speak of Widsith and Deor, Edmund Ironside had given
the hills of Chartham and Walworth ‘cuidam ioculatori suo nomine
Hitardo’ (Somner-Battely, _Antiq. of Canterbury_, app. 39). Hitardus,
wishing to visit Rome, gave it to Christ Church, Canterbury.
[172] Bernhard, iii. 378, gives a thirteenth-century regulation for the
Petit Pont entry of Paris: ‘Et ausi tot li jougleur sunt quite por i
ver de chançon.’
[173] Gautier, ii. 124.
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