The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
It must not be supposed that the profession of the _scenici_ ever
became an honourable one in the eyes of the Roman law. They were for
the most part slaves or at best freedmen. They were deliberately
branded with _infamia_ or incapacity for civil rights. This _infamia_
was of two kinds, depending respectively upon the action of the censors
as guardians of public dignity and that of the praetors as presidents
in the law courts. The censors habitually excluded actors from the _ius
suffragii_ and the _ius honorum_, the rights of voting and of holding
senatorial or equestrian rank; the praetors refused to allow them, if
men, to appear as attorneys, if women, to appoint attorneys, in civil
suits[24]. The legislation of Julius Caesar and of Augustus added some
statutory disabilities. The _lex Iulia municipalis_ forbade actors to
hold municipal _honores_[25]: the _lex Iulia de adulteriis_ set the
example of denying them the right to bring criminal actions[26]; the
_lex Iulia et Papia Poppaea_ limited their privileges when freed, and
in particular forbade senators or the sons of senators to take to wife
women who had been, or whose parents had been, on the stage[27]. On the
other hand Augustus confined the _ius virgarum_, which the praetors
had formerly had over _scenici_, to the actual place and time of
performances[28]; and so far as the censorian _infamia_ was concerned,
the whole tendency of the late Republic and early Empire was to relax
its application to actors. It came to be possible for senators and
knights to appear on the stage without losing caste. It was a grievous
insult when Julius Caesar compelled the mimograph Laberius to appear
in one of his own pieces. But after all Caesar restored Laberius to
his rank of _eques_, a dignity which at a still earlier date Sulla had
bestowed on Roscius[29]. Later the restriction broke down altogether,
although not without an occasional reforming effort to restore it[30].
Nero himself was not ashamed to take the boards as a singer of
_cantica_[31]. And even an _infamis_, if he were the boon companion
of a prince, might be appointed to a post directly depending on the
imperial dignity. Thus Caracalla sent a _pantomimus_ to hold a military
command on the frontier, and Heliogabalus made another _praefectus
urbi_ in Rome itself[32]. Under Constantine a reaction set in, and
a new decree formally excluded _scenici_ from all _dignitates_[33].
The severe class legislation received only reluctant and piecemeal
modification, and the praetorian _infamia_ outlived the Empire itself,
and left its mark upon Carolingian jurisprudence[34].
Public-domain text, read in full here on John Shaqi.
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