The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[_Bibliographical Note_ (for chs. ii-iv).--By far the best
account of minstrelsy is the section on _Les Propagateurs des
Chansons de Gestes_ in vol. ii of L. Gautier, _Les Épopées
françaises_ (2nd ed. 1892), bk. ii, chs. xvii-xxi. It may be
supplemented by the chapter devoted to the subject in J. Bédier,
_Les Fabliaux_ (2nd ed. 1895), and by the dissertation of E.
Freymond, _Jongleurs und Menestrals_ (Halle, 1883). I have not
seen A. Olrik, _Middelalderens vandrende Spillemænd_ (_Opuscula
Philologica_, Copenhagen, 1887). Some German facts are added
by F. Vogt, _Leben und Dichten der deutschen Spielleute im
Mittelalter_ (1876), and A. Schultz, _Das höfische Leben zur
Zeit der Minnesinger_ (2nd ed. 1889), i. 565, who gives further
references. The English books are not good, and probably the most
reliable account of English minstrelsy is that in the following
pages; but materials may be found in J. Strutt, _Sports and
Pastimes of the People of England_ (1801, ed. W. Hone, 1830);
T. Percy, _Reliques of Ancient English Poetry_ (ed. H. B.
Wheatley, 1876, ed. Schroer, 1889); J. Ritson, _Ancient English
Metrical Romances_ (1802), _Ancient Songs and Ballads_ (1829);
W. Chappell, _Old English Popular Music_ (ed. H. E. Wooldridge,
1893); F. J. Crowest, _The Story of British Music, from the
Earliest Times to the Tudor Period_ (1896); J. J. Jusserand,
_English Wayfaring Life in the Middle Ages_ (trans. L. T.
Smith, 4th ed. 1892). The early English data are discussed by
R. Merbot, _Aesthetische Studien zur angelsächsischen Poesie_
(1883), and F. M. Padelford, _Old English Musical Terms_ (1899).
F. B. Gummere, _The Beginnings of Poetry_ (1901), should be
consulted on the relations of minstrelsy to communal poetry;
and other special points are dealt with by O. Hubatsch, _Die
lateinischen Vagantenlieder des Mittelalters_ (1870); G. Maugras,
_Les Comédiens hors la Loi_ (1887), and H. Lavoix, _La Musique
au Siècle de Saint-Louis_ (in G. Raynaud, _Recueil de Motets
français_, 1883, vol. ii). To the above list of authorities
should of course be added the histories of literature and of the
drama enumerated in the _General Bibliographical Note_.]
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