The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
In several others he warns his pupils against the
dangers lurking in _ludi_ and _spectacula_[134], and he shows himself
particularly exercised by the favour which they found with Angilbert,
the literary and far from strict-lived abbot of St. Richer[135]. The
influence of Alcuin with Charlemagne was considerable, and so far as
ecclesiastical rule went, he had his way. A capitulary (†787) excluded
the Italian clergy from uncanonical sports[136]. In 789 bishops,
abbots, and abbesses were forbidden to keep _ioculatores_[137], and in
802 a decree applying to all in orders required abstinence from idle
and secular amusements[138]. These prohibitions were confirmed in the
last year of Charlemagne’s reign (813) by the council of Tours[139].
But as entertainers of the lay folk, the minstrels rather gained than
lost status at the hands of Charlemagne. Personally he took a distinct
interest in their performances. He treasured up the heroic _cantilenae_
of his race[140], and attempted in vain to inspire the _saevitia_ of
his sons with his own enthusiasm for these[141]. The chroniclers more
than once relate how his policy was shaped or modified by the chance
words of a _ioculator_ or _scurra_[142]. The later tradition of the
_jougleurs_ looked back to him as the great patron of their order, who
had given them all the fair land of Provence in fee[143]: and it is
clear that the songs written at his court form the basis not only of
the _chansons de gestes_, but also, as we found to be the case with the
English war-songs, of many passages in the chronicles themselves[144].
After Charlemagne’s death the minstrels fell for a time on evil days.
Louis the Pious by no means shared his father’s love for them. He
attempted to suppress the _cantilenae_ on which he had been brought up,
and when the _mimi_ jested at court would turn away his head and refuse
to smile[145]. To his reign may perhaps be ascribed a decree contained
in the somewhat dubious collection of Benedictus Levita, forbidding
idle dances, songs and tales in public places and at crossways on
Sundays[146], and another which continued for the benefit of the
minstrels the legal incapacity of the Roman _scenici_, and excluded
_histriones_ and _scurrae_ from all privilege of pleading in courts of
justice[147].
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