The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The perpetual _infamia_ of the minstrels is variously reflected in the
literature of their production. Sometimes they take their condemnation
lightly enough, dismissing it with a jest or a touch of bravado. In
_Aucassin et Nicolete_, that marvellous romance of the _viel caitif_,
when the hero is warned that if he takes a mistress he must go to hell,
he replies that, to hell will he go, for thither go all the goodly
things of the world. ‘Thither go the gold and the silver, and the vair
and the grey, and thither too go harpers and minstrels and the kings
of the world. With these will I go, so that I have Nicolete, my most
sweet friend, with me’[165]. At other times they show a wistful sense
of the pathos of their secular lot. They tell little stories in which
heaven proves more merciful than the vice-gerents of heaven upon earth,
and Virgin or saint bestows upon a minstrel the sign of grace which the
priest denies[166]. But often, again, they turn upon their persecutors
and rend them with the merciless satire of the _fabliaux_, wherein it
is the clerk, the theologian, who is eternally called upon to play the
indecent or ridiculous part[167].
Under spiritual disabilities the minstrels may have been, but so far as
substantial popularity amongst all classes went, they had no cause from
the eleventh to the fourteenth century to envy the monks. As a social
and literary force they figure largely both on the continent and in
England. The distinctively Anglo-Saxon types of _scôp_ and _gleómon_ of
course disappear at the Conquest. They do not cease to exist; but they
go under ground, singing their defiant lays of Hereward[168]; and they
pursue a more or less subterranean career until the fourteenth century
brings the English tongue to its own again. But minstrelsy was no less
popular with the invaders than with the invaded. Whether the _skald_
had yet developed amongst the Scandinavian pirates who landed with
Rollo on the coasts of France may perhaps be left undetermined[169]:
for a century and a half had sufficed to turn the Northmen into Norman
French, and with the other elements of the borrowed civilization had
certainly come the _ioculator_. In the very van of William’s army
at Senlac strutted the minstrel Taillefer, and went to his death
exercising the double arts of his hybrid profession, juggling with
his sword, and chanting an heroic lay of Roncesvalles[170]. Twenty
years later, Domesday Book records how Berdic the _ioculator regis_
held three vills and five carucates of land in Gloucestershire, and
how in Hampshire Adelinda, a _ioculatrix_, held a virgate, which
Earl Roger had given her[171]. During the reigns of the Angevin and
Plantagenet kings the minstrels were ubiquitous. They wandered at their
will from castle to castle, and in time from borough to borough, sure
of their ready welcome alike in the village tavern, the guildhall,
and the baron’s keep[172]. They sang and jested in the market-places,
Public-domain text, read in full here on John Shaqi.
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