The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
alleged to have thought it ‘hard that the devil should have all the
good tunes’; but already in the Middle Ages religious words were being
set to secular music, and graced with the secular imagery of youth and
spring[187].
But if the minstrels were on the one hand a force among the people,
on the other they had the ear of kings. The English court to judge
by the payments recorded in the exchequer books, must have been full
of them[188]. The fullest and most curious document on the subject
dates from the reign of Edward I. It is a roll of payments made on the
occasion of a Whitsuntide feast held in London in the year 1306, and a
very large number of the minstrels recorded are mentioned by name[189].
At the head of the list come five minstrels with the high-sounding
title of _le roy_[190], and these get five marks apiece. A number of
others follow, who received sums varying from one mark upwards. Most
of these have French names, and many are said to be in the company of
this or that noble or reverend guest at the feast. Finally, two hundred
marks were distributed in smaller sums amongst the inferior minstrels,
_les autres menestraus de la commune_, and some of these seem to have
been of English birth. Below the _roys_ rank two minstrels, Adam le
Boscu and another, who are dignified with the title of _maistre_, which
probably signifies that they were clerks[191]. The other names are
mainly descriptive, ‘Janin le Lutour,’ ‘Gillotin le Sautreour,’ ‘Baudec
le Taboureur,’ and the like; a few are jesting stage names, such as
the inferior performers of our music halls bear to-day[192]. Such are
‘Guillaume sanz Maniere,’ ‘Reginaldus le Menteur,’ ‘le Petit Gauteron,’
‘Parvus Willielmus,’ and those of the attractive comedians Perle in the
Eghe, and Matill’ Makejoye. The last, by the way, is the only woman
performer named. The resources of Edward I could no doubt stand the
strain of rewarding with royal magnificence the entertainers of his
guests. There is plenty of evidence, however, that even on secular
grounds the diatribes of the moralists against the minstrels were often
enough justified. To the lavish and unthrifty of purse they became
blood-suckers. Matilda, the wife of Henry I, is said to have squandered
most of her revenues upon them[193]; while the unfortunate Robert
of Normandy, if no less a chronicler than Ordericus Vitalis may be
believed, was stripped by these rapacious gentry to the very skin[194].
Yet for all the days of honour and all the rich gifts the minstrel life
must have had its darker side. Easily won, easily parted with; and the
lands and laced mantles did not last long, when the elbow itched for
the dice-box. This was the incurable ruin of the minstrel folk[195].
And even that life of the road, so alluring to the fever in the blood,
must have been a hard one in the rigours of an English climate. To
tramp long miles in wind and rain, to stand wet to the skin and hungry
Public-domain text, read in full here on John Shaqi.
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