The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
presently learnt to scratch the surface of the ground, to scatter the
seed, and painfully to garner and grind the scanty produce[361]. As the
avocations of the sexes were distinct, so would their magic or their
religion be. Each would develop rites of its own of a type strictly
determined by its practical ambitions, and each would stand apart from
the rites of the other. The interest of the men would centre in the
boar or stag, that of the women in the fruit-tree or the wheat-sheaf.
To the former the stone altar on the open hill-top would be holy; to
the latter the dim recesses of the impenetrable grove. Presently when
the god concept appeared, the men’s divinity would be a personification
of the illimitable and mysterious heavens beneath which they hunted
and herded, from which the pools were filled with water, and at times
the pestilence was darted in the sun rays; the women’s of the wooded
and deep-bosomed earth out of which their wealth sprang. This would
as naturally take a female as that a male form. Agriculture, however,
was not for ever left solely to the women. In time pasturage and
tillage came to be carried on as two branches of a single pursuit,
and the independent sex-cults which had sprung out of them coalesced
in the common village worship of later days. Certain features of the
primitive differentiation can still be obscurely distinguished. Here
and there one or the other sex is barred from particular ceremonies,
or a male priest must perform his mystic functions in woman’s garb.
The heaven-god perhaps remains the especial protector of the cattle,
and the earth-goddess of the corn. But generally speaking they have
all the interests of the farm in a joint tutelage. The stone altar
is set up in the sacred grove; the mystic tree is planted on the
hill-top[362]. Theriomorphic and phytomorphic symbols shadow forth a
single godhead[363]. The earth-mother becomes a divinity of light. The
heaven-father takes up his abode in the spreading oak.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account