The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The historic religions of heathenism have not preserved either the
primitive dualistic monotheism, if the phrase may be permitted, or
the simplicity of divine functions here sketched. With the advance of
civilization the objects of worship must necessarily take upon them new
responsibilities. If a tribe has its home by the sea, sooner or later
it trusts frail barks to the waters, and to its gods is committed the
charge of sea-faring. When handicrafts are invented, these also become
their care. When the pressure of tribe upon tribe leads to war, they
champion the host in battle. Moral ideas emerge and attach themselves
to their service: and ultimately they become identified with the rulers
of the dead, and reign in the shadowy world beyond the tomb. Another
set of processes combine to produce what is known as polytheism.
The constant application of fixed epithets to the godhead tends in
the long run to break up its unity. Special aspects of it begin to
take on an independent existence. Thus amongst the Teutonic peoples
Tiwaz-Thunaraz, the thunderous sky, gives rise to Thunar or Thor,
and Tiwaz-Frawiaz, the bounteous sky, to Freyr. And so the ancient
heaven-god is replaced by distinct gods of rain and sunshine, who,
with the mother-goddess, form that triad of divinities so prominent
in several European cults[364]. Again as tribes come into contact
with each other, there is a borrowing of religious conceptions, and
the tribal deities are duplicated by others who are really the same
in origin, but have different names. The mythological speculations of
priests and bards cause further elaboration. The friendly national
gods are contrasted with the dark hostile deities of foreign enemies.
A belief in the culture-hero or semi-divine man, who wrests the gifts
of civilization from the older gods, makes its appearance. Certain
cults, such as that of Druidism, become the starting-point for even
more philosophic conceptions. The personal predilection of an important
worshipper or group of worshippers for this or that deity extends his
vogue. The great event in the later history of Teutonic heathenism is
the overshadowing of earlier cults by that of Odin or Wodan, who seems
to have been originally a ruler of the dead, or perhaps a culture-hero,
and not an elemental god at all[365]. The multiplicity of forms under
which essentially the same divinity presents itself in history and
in popular belief may be illustrated by the mother-goddess of the
Teutons. As Freyja she is the female counterpart of Freyr; as Nerthus
of Freyr’s northern doublet, Njordr. When Wodan largely absorbs the
elemental functions, she becomes his wife, as Frîja or Frigg. Through
her association with the heaven-gods, she is herself a heaven-as well
as an earth-goddess[366], the Eostre of Bede[367], as well as the Erce
of the Anglo-Saxon ploughing charm[368]. She is probably the Tanfana
of Tacitus and the Nehellenia of the Romano-Germanic votive stones. If
Public-domain text, read in full here on John Shaqi.
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