The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
so, she must have become a goddess of mariners, for Nehellenia seems to
be the Isis of the _interpretatio Romana_. As earth-goddess she comes
naturally into relation with the dead, and like Odin is a leader of the
rout of souls. In German peasant-lore she survives under various names,
of which Perchta is the most important; in witch-lore, as Diana, and
by a curious mediaeval identification, as Herodias[369]. And her more
primitive functions are largely inherited by the Virgin, by St. Walpurg
and by countless local saints.
Most of the imaginative and mythological superstructure so briefly
sketched in the last paragraph must be considered as subsequent in
order of development to the typical village cult. Both before and
in more fragmentary shape after the death of the old Keltic and
Teutonic gods, that continued to be in great measure an amalgam of
traditional rites of forgotten magical or pre-religious import. So
far as the consciousness of the mediaeval or modern peasant directed
it to unseen powers at all, which was but little, it was rather to
some of these more local and bounded spirits who remained in the train
of the gods, than to the gods themselves. For the purposes of the
present discussion, it is sufficient to think of it quite generally
as a cult of the spirits of fertilization, without attaching a very
precise connotation to that term. Unlike the domestic cult of the
ancestral ghosts, conducted for each household by the house-father
at the hearth, it was communal in character. Whatever the tenure of
land may have been, there seems no doubt that up to a late period
‘co-aration,’ or co-operative ploughing in open fields, remained the
normal method of tillage, while the cattle of the community roamed in
charge of a public herd over unenclosed pastures and forest lands[370].
The farm, as a self-sufficing agricultural unit, is a comparatively
recent institution, the development of which has done much to render
the village festivals obsolete. Originally the critical moments of
the agricultural year were the same for the whole village, and the
observances which they entailed were shared in by all.
Public-domain text, read in full here on John Shaqi.
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