The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The influence of miracle-plays and moralities is also to be looked for
in the municipal ‘shows’ of welcome provided at the state entries of
royal and other illustrious visitors. A large number of these, chiefly at
coronations, royal marriages and the like, are recorded in chronicles of
London origin, and with the London examples in their chronological order
I will briefly deal. The earlier features of such ceremonies include
the riding of the mayor and corporation to meet the king at some place
outside the gates, such as Blackheath, or, in the case of a coronation,
at the Tower, and the escorting of him with joyous _tripudium_ or
_carole_ to the palace of Westminster, the reading of loyal addresses
and the giving of golden gifts, the decking of walls and balconies with
costly robes and tapestries, the filling of the conduits with wine, white
and red, in place of the accustomed water[489]. The first example of
pageantry in the proper sense occurs about the middle of the thirteenth
century, in certain ‘devices and marvels’ shown at the wedding of Henry
III to Eleanor of Provence in 1236[490]. These are not described in
detail; but when Edward I returned to London after the defeat of William
Wallace at Falkirk in 1298, it is recorded by a chronicler, quoted in
Stowe’s _Annals_, that the crafts made ‘great and solemne triumph’ and
that the fishmongers in particular ‘amongst other pageantes and shewes’
had, as it was St. Magnus’s day, one of the saint accompanied by a
thousand horsemen, and preceded by four gilded sturgeons, four salmons
on horseback and ‘sixe and fourtie knights armed, riding on horses made
like luces of the sea[491].’ It was the fishmongers again who on the
birth of Edward III in 1313 went in a _chorea_ to Westminster with an
ingeniously contrived ship in full sail, and escorted the queen on her
way to Eltham[492]. At the coronation of Richard II in 1377 an elaborate
castle was put up at the head of Cheapside. On the four towers of this
stood four white-robed damsels, who wafted golden leaves in the king’s
face, dropped gilt models of coin upon him and his steed, and offered
him wine from pipes laid on to the structure. Between the towers was a
golden angel, which by a mechanical device bent forward and held out a
crown as Richard drew near[493]. Similar stages, with a _coelicus ordo_
of singers and boys and maidens offering wine and golden crowns, stood
in Cheapside when Richard again rode through the city in 1392, in token
of reconciliation with the rebellious Londoners. And at St. Paul’s was a
youth enthroned amongst a triple circle of singing angels; and at Temple
Bar St. John Baptist in the desert surrounded by all kinds of trees and
a menagerie of strange beasts[494]. No similar details of pageantry are
recorded at the coronations of Henry IV or Henry V. But when the latter
king returned to London after the battle of Agincourt in 1415 there was
a very fine show indeed. The procession came to the city from Eltham and
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