The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
Blackheath by way of London Bridge. Upon the tower masking the bridge
stood two gigantic figures, one a man with an axe in his right hand and
the city keys in his left, the other a woman in a scarlet mantle. Beyond
this were two columns painted to resemble white marble and green jasper,
on which were a lion and an antelope bearing the royal arms and banner.
Over the foot of the bridge was a tower with a figure of St. George,
and on a house hard by a number of boys representing the heavenly host,
who sang the anthem _Benedictus qui venit in nomine Dei_. The tower
upon the Cornhill conduit was decked with red and had on it a company
of prophets, who sent a flight of sparrows and other birds fluttering
round the king as he passed, while the prophets chanted _Cantate Domino
canticum novum_. The tower of the great Cheapside conduit was green,
and here were twelve Apostles and twelve Kings, Martyrs and Confessors
of England, whose anthem was _Benedic, anima, Domino_, and who, even
as Melchisedek received Abraham with bread and wine, offered the king
thin wafers mixed with silver leaves, and a cup filled from the conduit
pipes. On Cheapside, the cross was completely hidden by a great castle,
in imitation white marble and green and red jasper, out of the door of
which issued a bevy of virgins, with timbrel and dance and songs of
‘Nowell, Nowell,’ like unto the daughters of Israel who danced before
David after the slaying of Goliath. On the castle stood boys feathered
like angels, who sang _Te Deum_ and flung down gold coins and boughs of
laurel. Finally, on the tower of the little conduit near St. Paul’s, all
blue as the sky, were more virgins who, as when Richard II was crowned,
wafted golden leaves out of golden cups, while above were wrought angels
in gold and colours, and an image of the sun enthroned[495]. The details
of the reception of Henry and Catherine of France, six years later, are
not preserved[496]. Nor are those of the London coronation of Henry
VI in 1429. But there was a grand dumb-show at the Paris coronation
in 1431[497], and it was perhaps in emulation of this that on his
return to London in the following year the king was received with a
splendour equal to that lavished on the victor of Agincourt. There is a
contemporary account of the proceedings by John Carpenter, the town clerk
of London[498]. As in 1415 a giant greeted the king at the foot of London
Bridge. On the same ‘pageant[499]’ two antelopes upbore the arms of
England and France. On the bridge stood a magnificent ‘fabric,’ occupied
by Nature, Grace, and Fortune, who gave the king presents as he passed.
To the right were the seven heavenly Virtues, who signified the seven
gifts of the Holy Ghost, by letting fly seven white doves. To the left,
seven other virgins offered the regalia. Then all fourteen, clapping
their hands and rejoicing in _tripudia_, broke into songs of welcome. In
Cornhill was the Tabernacle of Lady Wisdom, set upon seven columns. Here
Public-domain text, read in full here on John Shaqi.
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