The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
[From Sir Walter Elliot, _On the Characteristics of the
Population of Central India_, in _Journal of the Ethnological
Society of London_, N. S. i. 94 (1869).]
In the north-east corner of the central mountainous region represented on
the map, between the Mahanadi and Godavery rivers, is found a tribe which
has preserved its normal character remarkably free from change and from
external influence. The Konds, or, as they call themselves, the Kuingas,
although only discovered within the last thirty-five years, are better
known than most of the other barbarous tribes from the fact that for ages
they have been in the habit of sacrificing human victims in great numbers
to secure the favour of the deities presiding over their dwellings,
fields, hills, &c., but especially of the earth-goddess.
The successful efforts employed to abolish this barbarous rite have made
the subject familiar to all, and it is remarkable that such knowledge
should have failed to attract attention to a practice precisely similar
in its objects and in its details, which is observed in every village
of Southern India, with this single difference, that a buffalo is
substituted for a human victim. My attention was early drawn to this
practice, which is called the festival of the village goddess (_Devi_,
or _Grama Devati_), the descriptions of which led me to believe it might
throw light on the early condition of the servile classes, and resolving
to witness its celebrations, I repaired to the village of Serúr, in the
Southern Mahratta country, in March, 1829. It would occupy too much time
to describe the ceremony in full, which is the less necessary as the
details vary in different places; but the general features are always the
same.
The temple of the goddess is a mean structure outside the village.
The officiating priests are the Parias, who, on this occasion, and on
it alone, are exempt from the degrading condition which excludes them
from the village, and from contact with the inhabitants. With them are
included the Mangs or workers in leather, the Asádis or Dásaris, _paria_
dancing-girls devoted to the service of the temple, the musician in
attendance on them called Rániga, who acts also as a sort of jester or
buffoon, and a functionary called Pót-raj, who officiates as _pujári_ to
a rural god named also Pót-raj, to whom a small altar is erected behind
the temple of the village goddess. He is armed with a long whip, which he
cracks with great dexterity, and to which also at various parts of the
ceremony divine honours are paid.
All the members of the village community take part in the festival with
the hereditary district officers, many of them Brahmans. The shepherds
or _Dhangars_ of the neighbouring villages are also invited, and they
attend with their priests called _Virgars_ or _Irgars_, accompanied by
the _dhol_ or big drum peculiar to their caste. But the whole is under
the guidance and management of the Parias.
Public-domain text, read in full here on John Shaqi.
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