The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
On reaching a little temple, sacred to the goddess of boundaries
(_polimera-amma_), they halted to make some offerings, and bury the
sacred head. As soon as it was covered, the uproar began again. Rániga
became more foul-mouthed than ever. In vain the head-men, the government
officers, and others tried to pacify him by giving him small copper
coins. He only broke out with worse imprecations and grosser abuse, till
the circuit being completed, all dispersed; the Parias retired to their
hamlet outside the town, resuming their humble, servile character, and
the village reverted to its wonted peaceful appearance.
Next day (Sunday) the whole population turned out to a great
hunting-party.
I found this remarkable institution existing in every part of India where
I have been, and I have descriptions of it corresponding in all essential
points, from the Dekhan, the Nizam’s country, Mysore, the Carnatic, and
the Northern Circars. The details vary in different places, but the
main features agree in all, and correspond remarkably with the _Mariah_
sacrifice of the Konds, which also varies considerably on minor points in
different places.
J
SWORD-DANCES
I. SWEDEN (_Sixteenth Century_).
[From Olaus Magnus, _Historia de gentibus septentrionalibus_
(1555), Bk. xv. chh. 23, 24.]
Ch. 23, _de chorea gladiatoria vel armifera saltatione_.
Habent septentrionales Gothi et Sueci pro exercenda iuventute alium
ludum, quod inter nudos enses et infestos gladios seu frameas sese
exerceant saltu, idque quodam gymnastico ritu et disciplina, aetate
successiva, a peritis et praesultare sub cantu addiscunt: et ostendunt
hunc ludum praecipue tempore carnisprivii, maschararum Italico verbo
dicto. Ante etenim tempus eiusdem carnisprivii octo diebus continua
saltatione sese adolescentes numerose exercent, elevatis scilicet
gladiis sed vagina reclusis, ad triplicem gyrum. Deinde evaginatis
itidemque elevatis ensibus, postmodo manuatim extensis, modestius gyrando
alterutrius cuspidem capulumque receptantes, sese mutato ordine in modum
figurae hexagoni fingendi subiiciunt, quam rosam dicunt: et illico eam
gladios retrahendo elevandoque resolvunt ut super uniuscuiusque caput
quadrata rosa resultet: et tandem vehementissima gladiorum laterali
collisione, celerrime retrograda saltatione determinant ludum, quem
tibiis vel cantilenis, aut utrisque simul, primum per graviorem, demum
vehementiorem saltum et ultimo impetuosissimum moderantur. Sed haec
speculatio sine oculari inspectione vix apprehenditur quam pulchra
honestaque sit, dum unius parcissimo praecepto etiam armata multitudo
quadam alacritate dirigitur ad certamen: eoque ludo clericis sese
exercere et immiscere licet, quia totus deducitur honestissima ratione.
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