The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
Ch. 24. Alia etiam iuvenum exercitatio est, ut certa lege arcualem
choream ducant et reducant, aliis quidam instrumentis, sed eadem ut
gladiatorum saltantium disciplina reducta. Arcubus enim seu circulis
inclusis [inclusi?], primum modesto cantu heroum gesta referente vel
tibiis aut tympanis excitati, gyrando incedunt seque dirigentis, qui rex
dicitur, sola voce reducunt, tandem solutis arcubus aliquantulum celerius
properantes mutua inclinatione conficiunt, veluti alias per gladios,
rosam, ut formam sexangularem efficere videantur. Utque id festivius
sonoriusque fiat, tintinnabula seu aereas campanulas genu tenus ligant.
II. SHETLAND (_Eighteenth Century_).
[From Sir Walter Scott’s _Diary_ for August 7, 1814, printed in
Lockhart, _Life of Scott_ (1837), iii. 162; (1878) i. 265.]
At Scalloway my curiosity was gratified by an account of the sword-dance,
now almost lost, but still practised in the Island of Papa, belonging
to Mr. Scott. There are eight performers, seven of whom represent the
Seven Champions of Christendom, who enter one by one with their swords
drawn, and are presented to the eighth personage, who is not named.
Some rude couplets are spoken (in _English_, not _Norse_), containing
a sort of panegyric upon each champion as he is presented. They then
dance a sort of cotillion, as the ladies described it, going through
a number of evolutions with their swords. One of my three Mʳˢ. Scotts
readily promised to procure me the lines, the rhymes, and the form of
the dance.... A few years since a party of Papa-men came to dance the
sword-dance at Lerwick as a public exhibition with great applause....
In a stall pamphlet, called the history of Buckshaven [Fifeshire], it
is said those fishers sprung from Danes, and brought with them their
_war-dance_ or _sword-dance_, and a rude wooden cut of it is given.
[A footnote by Lockhart adds:—]
Mr. W. S. Rose informs me that, when he was at school at Winchester,
the morris-dancers there used to exhibit a sword-dance resembling that
described at Camacho’s wedding in _Don Quixote_; and Mr. Morritt adds
that similar dances are even yet performed in the villages about Rokeby
[Yorks, N.R.] every Christmas.
[The following account was inserted in a note to Scott’s _The
Pirate_ (1821).]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account