The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The term ‘pageant’ is used at Chester both for the vehicle and for the
play performed on it; but, contrary to the custom elsewhere, more usually
for the latter. The vehicle is generally called a ‘carriage.’ It was kept
in a ‘caryadghouse’ and occasionally served two crafts on different days.
The expenses of carriage, porters, refreshments, actors, and rehearsals
fell, as shown by the extant _Accounts_ of the Smiths’ company, on
the crafts. They were met by a levy upon each member and journeyman.
Vestments were hired from the clergy; both minstrels and choristers
were in request for songs and music. The Corporation supervised the
performances, questions as to the incidence of the burden upon this or
that craft coming before the Pentice court. In 1575 the Smiths submitted
two alternative plays for the choice of the aldermen. The authoritative
copy or ‘originall booke’ of the plays seems to have belonged to the
city. The Smiths paid for reading the ‘Regenall,’ ‘an Rygynall’ or
‘orraginall.’ In 1568 one ‘Randall Trevor, gent.’ seems to have lost the
book. There is an interesting allusion to the unprofessional quality of
the actors, in the copy of the later Banns preserved by Rogers. The plays
are not
‘contryued
In such sorte & cunninge, & by such playeres of price,
As at this day good playeres & fine wittes coulde devise,
...
By Craftes men & meane men these Pageauntes are played
And to Commons and Contryemen acustomablye before.
If better men & finer heades now come, what canne be saide?
But of common and contrye playeres take thou the storye;
And if any disdaine, then open is yᵉ doore
That lett him in to heare; packe awaye at his pleasure;
Oure playeinge is not to gett fame or treasure[791].’
_Exceptional Performances._
In 1567 ‘Richard Dutton, mayor, kept a very worthy house for all comers
all the tyme of Christmas with a Lorde of Misrule and other pastymes in
this city as the Whitson Plays.’
Single plays from the cycle were similarly used for purposes of special
entertainment. In 1488 was the _Assumption_ before Lord Strange at the
High Cross; in 1497 the _Assumption_ before Prince Arthur at the Abbey
gates and the High Cross; in 1515 the _Assumption_ again together with
the _Shepherds’_ play in St. John’s churchyard. In 1576, the Smiths had
‘our plas’ (the _Purification_) ‘at Alderman Mountford’s on Midsomer
Eve.’ Finally, in 1578, Thomas Bellin, mayor, caused the Shepherds’ play
‘and other triumphs’ to be played at the high cross on the Roodee before
the Earl of Derby, Lord Strange, and others[792].
_Other plays._
The play by the ‘colliges and prestys’ on Corpus Christi day mentioned in
the ‘White Book’ and in the ‘Banes’ preserved therein has already been
noted.
Public-domain text, read in full here on John Shaqi.
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