The mediaeval stage, volume 2 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 2 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
They had revised the text, and had a new and Protestant version of the
preliminary ‘banns’ prepared. Copies of the text appear to have been
got ready for yet another performance in 1600, but the local annalists
record that Henry Hardware, then mayor, ‘would not suffer any Playes.’ In
one or two cities, new plays, dealing with apocryphal or other merely
semi-religious themes, were substituted for the old ones. Thus at Lincoln
a ‘standing play’ of the story of Tobit was given in 1564 and 1567; and
in Coventry, where the old cycle had been ‘laid down’ in 1580, an Oxford
scholar was hired in 1584 to write a semi-religious semi-historical drama
of the Destruction of Jerusalem. In 1591, the Conquest of the Danes and
the History of King Edward the Confessor were proposed as alternatives
for this. By the end of the sixteenth century all the cycles of which
most is known had come to an end. The smaller places—Chelmsford in
1574, Braintree in 1579, Bungay in 1591—had sold off their stock of
playing-garments. For such dramatic entertainment as the provinces were
still to get, they must look to travelling companies taking their summer
vacation from the metropolis. Miracle-plays during the seventeenth
century were a mere survival. They lingered in distant Cornwall and at
Kendal in the hill country of the north; and had been replaced by morals,
themselves almost equally obsolete, at Manningtree. The last religious
play recorded in England is a quite exceptional one, given at the end of
James I’s reign before Gondomar, the Spanish ambassador, and an audience
which numbered thousands at Ely Place in Holborn.
In giving some account of the distribution of the various types of
religious play throughout England during the fifteenth and sixteenth
centuries, I am dispensed from any obligation to be exhaustive by the
fact that the greater municipal dramas at least have already been the
subject of more than one fairly adequate discussion. All I shall attempt
will be a brief general summary of the main points which emerge from the
more or less detailed local notices collected in a lengthy appendix.
Public-domain text, read in full here on John Shaqi.
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