The Medici Balls: Seven little journeys in TuscanySheldon, Anna R.
History
The Medici Balls: Seven little journeys in Tuscany
Sheldon, Anna R.
Tuscany (Italy) -- Description and travel
For tea Italians care nothing, and their coffee leaves much to be
desired; but who would drink either, or even the questionable water
of Val d'Arno, when pure wine may be had for the asking? Tuscan wine
certainly "needs no bush," but there are so many degrees, even of the
boasted Chianti, that only the wise may be sure of the best. At our
signora's we had the most delicious wine, both white and red, and, mark
you, without extra charge. "It is Chianti," she said, when we asked
its name. "But," we urged, "all the wine of Tuscany is Chianti, _non
è vero_?" "Quite the contrary," was her answer, "it is only produced
in a certain limited region on the hillsides of Chianti; we must take
you some day to our vineyard in the true Chianti hills, where this wine
was made." That happy day came in April, when the Tuscan spring was in
its fullest bloom. We took a steam tram at the Porta Romano, which, as
its name indicates, opens on the old Roman road to Siena, and at once
began our climb into the hill country. Three miles from the gate, where
the little rivers Ema and Greve join, we passed near the Certosa, more
like a fortress than a monastery, seated so imposingly on its lofty
hill; then our road led along the banks of the Greve till we reach
the village of the same name, which is the chief town of the Chianti
region. It was a beautiful ride, trending southeastward, and by many a
turn and loop, affording views of glens, valleys, and hills, grey stone
bridges, castles, villas, and churches. At Greve a carriage was waiting
for those who wished to ride; others preferred the steep, breezy walk
over the hills that separate Greve from Val di Pesa, from which we saw
Florence in her Val d'Arno, twenty miles away. All along the road were
ruins of ancient castles and piers of bridges, which once defined the
marches between Siena and Florence, held only by constant war-fare; but
now the crumbling towers keep watch and ward over peaceful olive groves
and unmolested vineyards.
[Illustration: _L. C. Dexter_
PONTE FALCIANO, CHIANTI]
[Illustration: _L. C. Dexter_
PONTE CAPELLO. ALONG THE RIVER GREVE, CHIANTI]
[Illustration: _M. S. Nixon_
VITIGLIANO, CHIANTI]
[Illustration: _M. M. Newell_
OLD WATCH-TOWER, CHIANTI]
[Illustration: _M. M. Newell_
PANZANO FROM A DISTANCE, CHIANTI]
[Illustration: _L. C. Dexter_
S. LEOLINO A FLACCIANO. PIEVE DI PANZANO, CHIANTI]
Morning wears on toward midday before we get a distant view of Panzano,
a warm, grey tangle of towers and red roofs, looking calm and friendly
enough in the sunshine, with groves and vineyards at its feet, but once
doubtless given over to the dread clamour of war. A little farther on
is the parish church, Pieve di S. Leolino, with its pleasant loggia and
weather-beaten bell-tower. Within are two Della Robbias, a ciborium,
and a tabernacle from the atelier, and not far away is the country
villa, of Count Viviani della Robbia, the present representative of the
illustrious family of artists.
Public-domain text, read in full here on John Shaqi.
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