The Medicine-Men of the Apache. (1892 N 09 / 1887-1888 (pages 443-604))Bourke, John Gregory
Religion
The Medicine-Men of the Apache. (1892 N 09 / 1887-1888 (pages 443-604))
Bourke, John Gregory
Apache Indians -- Medicine; Apache Indians -- Religion; Apache Indians -- Rites and ceremonies; Shamans -- New Mexico
The spirit dance itself is called "cha-ja-la." I have seen this dance
a number of times, but will confine my description to one seen at Fort
Marion (St. Augustine, Fla.), in 1887, when the Chiricahua Apache
were confined there as prisoners; although the accompanying figure
represents a ghost dance headdress seen among the Apache in the winter
of 1885. A great many of the band had been suffering from sickness of
one kind or another and twenty-three of the children had died; as a
consequence, the medicine-men were having the Cha-ja-la, which is
entered into only upon the most solemn occasions, such as the setting
out of a war party, the appearance of an epidemic, or something else
of like portent. On the terreplein of the northwest bastion, Ramon,
the old medicine-man, was violently beating upon a drum, which, as
usual, had been improvised of a soaped rag drawn tightly over the
mouth of an iron kettle holding a little water.
Although acting as master of ceremonies, Ramon was not painted or
decorated in any way. Three other medicine-men were having the
finishing touches put to their bodily decoration. They had an
under-coating of greenish brown, and on each arm a yellow snake, the
head toward the shoulder blade. The snake on the arm of one of the
party was double-headed, or rather had a head at each extremity.
Each had insignia in yellow on back and breast, but no two were
exactly alike. One had on his breast a yellow bear, 4 inches long by 3
inches high, and on his back a kan of the same color and dimensions. A
second had the same pattern of bear on his breast, but a zigzag for
lightning on his back. The third had the zigzag on both back and
breast. All wore kilts and moccasins.
While the painting was going on Ramon thumped and sang with vigor to
insure the medicinal potency of the pigments and the designs to which
they were applied. Each held, one in each hand, two wands or swords of
lathlike proportions, ornamented with snake-lightning in blue.
The medicine-men emitted a peculiar whistling noise and bent slowly to
the right, then to the left, then frontward, then backward, until the
head in each case was level with the waist. Quickly they spun round in
full circle on the left foot; back again in a reverse circle to the
right; then they charged around the little group of tents in that
bastion, making cuts and thrusts with their wands to drive the
maleficent spirits away.
It recalled to my mind the old myths of the angel with the flaming
sword guarding the entrance to Eden, or of St. Michael chasing the
discomfited Lucifer down into the depths of Hell.
These preliminaries occupied a few moments only; at the end of that
time the medicine-men advanced to where a squaw was holding up to them
a little baby sick in its cradle. The mother remained kneeling while
the medicine-men frantically struck at, upon, around, and over the
cradle with their wooden weapons.
Public-domain text, read in full here on John Shaqi.
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