VERA [_Violently pushing his face away_]
I hate you! I curse the day I was born your daughter!
[_She staggers toward the door leading to the interior. At the
same moment DAVID, who has reached the door leading to the hall,
now feeling subconsciously that VERA is going and that his last
reason for lingering on is removed, turns the door-handle. The
click attracts the BARON'S attention, he veers round._]
BARON [_To DAVID_]
Halt!
[_DAVID turns mechanically. VERA drifts out through her door,
leaving the two men face to face. The BARON beckons to DAVID, who
as if hypnotised moves nearer. The BARON whips out his pistol,
slowly crosses to DAVID, who stands as if awaiting his fate. The
BARON hands the pistol to DAVID._]
You were right!
[_He steps back swiftly with a touch of stern heroism into the
attitude of the culprit at a military execution, awaiting the
bullet._]
Shoot me!
DAVID [_Takes the pistol mechanically, looks long and pensively at it as
with a sense of its irrelevance. Gradually his arm droops and lets
the pistol fall on the table, and there his hand touches a string
of his violin, which yields a little note. Thus reminded of it, he
picks up the violin, and as his fingers draw out the broken string
he murmurs_]
I must get a new string.
[_He resumes his dragging march toward the door, repeating
maunderingly_]
I must get a new string.
[_The curtain falls._]
Act IV
_Saturday, July 4, evening. The Roof-Garden of the Settlement
House, showing a beautiful, far-stretching panorama of New York,
with its irregular sky-buildings on the left, and the harbour
with its Statue of Liberty on the right. Everything is wet and
gleaming after rain. Parapet at the back. Elevator on the right.
Entrance from the stairs on the left. In the sky hang heavy
clouds through which thin, golden lines of sunset are just
beginning to labour. DAVID is discovered on a bench, hugging his
violin-case to his breast, gazing moodily at the sky. A muffled
sound of applause comes up from below and continues with varying
intensity through the early part of the scene. Through it comes
the noise of the elevator ascending. MENDEL steps out and hurries
forward_.
MENDEL
Come down, David! Don't you hear them shouting for you?
[_He passes his hand over the wet bench._]
Good heavens! You will get rheumatic fever!
DAVID
Why have you followed me?
MENDEL
Get up--everything is still damp.
DAVID [_Rising, gloomily_]
Yes, there's a damper over everything.
MENDEL
Nonsense--the rain hasn't damped your triumph in the least. In fact, the
more delicate effects wouldn't have gone so well in the open air.
Listen!
DAVID
Let them shout. Who told you I was up here?
MENDEL
Miss Revendal, of course.
DAVID [_Agitated_]
Miss Revendal? How should _she_ know?
MENDEL [_Sullenly_]
She seems to understand your crazy ways.
Public-domain text, read in full here on John Shaqi.
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