The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume I: Being the Observations He Made in His Late Travels from Prussia thro' Germany, Italy, France, Flanders, Holland, England, &C. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts. — John Shaqi
The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume I: Being the Observations He Made in His Late Travels from Prussia thro' Germany, Italy, France, Flanders, Holland, England, &C. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.Pöllnitz, Karl Ludwig, Freiherr von
History
The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume I: Being the Observations He Made in His Late Travels from Prussia thro' Germany, Italy, France, Flanders, Holland, England, &C. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.
Pöllnitz, Karl Ludwig, Freiherr von
Europe -- Description and travel; Saxony (Germany) -- Court and courtiers
The Furniture of the grand Apartment is very rich; there’s a fine Gallery
adorn’d with Pictures, the Cieling of which was painted by one _Peine_, a
_Frenchman_, who in divers Compartments has skilfully represented the
principal Actions of King _Frederic_ I. At the End of this Gallery there’s
a Saloon, which was formerly magnificent to the last degree, being
wainscotted, if I may so call it, with Amber: But the late Czar coming on
_Berlin_ in his return from _Holland_ and _France_, and not a little
admiring this Furniture, which was the only thing of its kind, the King
made him a Present of it: so that what had been amass’d with great Care
and Cost by several Electors, fell in one Day into the hands of a Nation,
which, no longer ago than the beginning of the present Century, was
reckon’d Barbarian.
The Palace had fine Gardens belonging to it before they were destroy’d,
and converted into a Place of Arms, and a Parade for the Guards.
Hard by the Palace are the King’s Stables, a very grand Building, facing
the great Street. The Architecture without is _Gothic_, but the inside is
more magnificent; the Stables are broad and spacious, very lofty, and
very lightsome: the Mangers are of Stone, and the Pillars which mark the
Stands for the Horses, are of Iron, and adorn’d with the King’s Cypher,
gilt: Over the Mangers are several great Pictures of the finest Horses
that ever came out of his Majesty’s Studs. The Backside of the Stables
projects towards the River _Spree_, to which they can lead the Horses by a
Stair-Case without Steps, built in the form of a Horse-Shoe.
The Main Body of the House contains grand Lodgings for the Master of the
Horse, and the Officers under him. Over the Stables are great Rooms where
they keep a deal of fine Furniture, both for the Horse and Mule;
magnificent Sleds, with convenient Harness, adorn’d with Bells of Silver,
or Silver gilt; a great number of fine Arms; the rich Accoutrements of the
Horse which serv’d _Frederic_ I. on the Day of his public Entry; all the
Ornaments of the Bridle, the Breast-Leather, and Crupper, as well as the
Bits and Stirrups, being of Gold adorn’d with Brilliants.
Over the Riding-House is the great Theatre, where, in the late King’s
time, Interludes and Comedies us’d to be acted before the whole Court; but
the Opera of _Roxana_ and _Alexander_ was the last that was acted on it.
It was play’d in 1708, upon the Marriage of King _Frederic_ I. with
_Sophia_ of _Mecklemberg_. In 1706, an Interlude was acted there, on
account of the Arrival of the Princess Royal, now Queen; intitled, _Beauty
triumphing over Heroes_; at which the Markgraves _Frederic-Albert_ and
_Christian-Lewis_, the late King’s Brothers, danc’d, with all the young
Courtiers.
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