The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume II: Being the Observations He Made in His Late Travels from Prussia Thro' Germany, Italy, France, Flanders, Holland, England, &c. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.Pöllnitz, Karl Ludwig, Freiherr von
History
The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume II: Being the Observations He Made in His Late Travels from Prussia Thro' Germany, Italy, France, Flanders, Holland, England, &c. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.
Pöllnitz, Karl Ludwig, Freiherr von
Europe -- Description and travel; Saxony (Germany) -- Court and courtiers
Neither am I very well reconcil’d to their Plays, of which indeed here are
none all the Year, except during the Carnival; but then we had two
Opera-Theatres, and four or five for Comedy. Of all these Theatres there’s
but one that’s good for any thing, and that’s the Ladies Theatre, commonly
call’d the Theatre of _Aliberti_ because ’twas built by Order of one Count
_Aliberti_. The Room is excessively large, so that the Voices are lost in
it; it has seven Rows of Boxes, so low and little, that it makes the Room
look like a Henroost; the Pit will hold 900 Persons with Ease: The Stage
is spacious, very high, and fitely decorated; but they don’t shift the
Scenes with that Dexterity as they do at our Play-houses, yet, when the
whole is put together, the Place is not to be despised: The Habits of the
three principal Actors are magnificent, but those of the rest are
horrible. Their Voices are good, and so are their Instruments for the most
part; but their Dancers are too bad to behold, and you can’t imagine any
thing more hideous: The Women are in the Disguise of Men, out of a
ridiculous Scruple, if I may venture to call it so, which they have here,
that Women should not be seen at the Theatres. This is the Reason, that
the Operas of ROME are vastly inferior to the other Operas of _Italy_.
There is not perhaps a more ridiculous Sight, than to see these Creatures,
who are but half Men, play the Parts of Women; yet, tho’ they have neither
Air nor Gracefulness, they are applauded here as much as the best
Actresses are elsewhere. Tho’ I am passionately fond of the _Italian_
Music, yet I own to you, that I am disgusted with their Operas, when I see
those Eunuchs play the Part of a _Roland_, a _Hercules_, or some such
Hero; and I have not Patience to see no more than half a dozen Actors, no
Machines, and no Dances, except in the Interludes. In my Opinion, such an
Opera rather deserves the Name of a Concert; good Voices here are very
scarce, and there are actually but five or six Men, and three Women, that
have the Reputation of singing well. The Case is the very same with the
Composers; they have just lost one of the ablest Men of that Class; _viz.
Leonard Vinci_, who, they say, was poison’d at _Naples_; but there are
still remaining M. _Hass_, commonly call’d the _Saxon_, and _Signior
Purpora_, of whom the former is a _German_, who married the famous
_Signiora Faustina_.
Public-domain text, read in full here on John Shaqi.
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