The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume II: Being the Observations He Made in His Late Travels from Prussia Thro' Germany, Italy, France, Flanders, Holland, England, &c. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts. — John Shaqi
The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume II: Being the Observations He Made in His Late Travels from Prussia Thro' Germany, Italy, France, Flanders, Holland, England, &c. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.Pöllnitz, Karl Ludwig, Freiherr von
History
The Memoirs of Charles-Lewis, Baron de Pollnitz, Volume II: Being the Observations He Made in His Late Travels from Prussia Thro' Germany, Italy, France, Flanders, Holland, England, &c. in Letters to His Friend. Discovering Not Only the Present State of the Chief Cities and Towns; but the Characters of the Principal Persons at the Several Courts.
Pöllnitz, Karl Ludwig, Freiherr von
Europe -- Description and travel; Saxony (Germany) -- Court and courtiers
When you have passed over the great Square, there’s an Ascent of some
Steps to a grand Platform or Terras, that leads into the Portico which is
before the Church. The Roof of it is supported by Columns of the
_Corinthian_ Order, adorned with Basso Relievos of Marble. The Cieling is
of Stukoe, divided into several Compartments in the _Mosaic_ Taste, which
form the Arms of _Paul_ V. of the _Borghese_ Family; the whole gilt all
over. As one turns to the Right in this Portico, one sees the Statue of
_Constantine_ the Great, carved in Marble by _Bernini_, who has
represented the Emperor on Horseback, in a Posture of Astonishment at the
Appearance of the Cross. Over-against this Statue, on the Left-side of the
Portico, is _Charlemaign_’s Statue, likewise on Horseback, done by
_Augustin Cornicchini_, a Native of _Peschia_ in _Tuscany_; but ’tis not
near so bold a Figure as that carved by _Bernini_. At the Entrance of the
Church, we leave on the Right-hand the holy Gate, which the Pope opens and
shuts every twenty-five Years, at the Time of the great Jubilee.
I must confess that the inside Decoration of St. _Peter_’s did not strike
me at first View; for I imagined that every thing there must be Gold and
Azure, but I was mistaken; tho’, after having examined Things closely, I
was, as it were, in an Ecstasy at the Variety of Beauties I there saw. The
High Altar, which is almost in the middle of the Dome, is of a
Magnificence not to be parallelled. It stands by itself, and is on all
Sides open, consisting of four wreathed Columns of Brass, of an immense
Height and Bulk, which support a Canopy of the same Metal, surmounted by
Angels holding Festons of Flowers, so completely carved, that one would
naturally imagine the Whole to be the Work of a Goldsmith. At this Altar
none can celebrate Mass but the Pope himself, and the Cardinal Dean, by
his Holiness’s express Permission; and underneath, in a Chapel richly
adorned, there lie some Parts of the Holy Bodies of the Apostles St.
_Peter_ and St. _Paul_. There’s a Descent into this Chapel by a Stair-case
of fine Marble, consisting of two Flights, in Form of a Horse-shoe, and
surrounded by a Balustrade of Brass, supporting a great many Silver Lamps,
which never cease to burn, except on _Good-friday_, when the Church is
hung in Mourning, in Memory of the Death of our Saviour.
Public-domain text, read in full here on John Shaqi.
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