The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1Chateaubriand, François-René, vicomte de
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The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 1 (of 6): Mémoires d'outre-tombe, volume 1
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
This invisible charmer accompanied me wherever I went; I communed
with her as with a real being; she varied in the measure of my folly:
Aphrodite unveiled; Diana clad in the dew and the blue of heaven;
Thalia with her laughing mask; Hebe bearing the cup of youth; sometimes
she became a fairy who laid nature at my feet. I touched and retouched
my canvas; I took one attraction from my beauty to replace it with
another. I also changed her finery; I borrowed it from every country,
every century, every art, every religion. Then, when I had completed
a masterpiece, I dispersed my drawings and paints again; my one woman
turned into a crowd of women in whom I idolized separately the charms
I had adored when united.
Pygmalion was less enamored of his statue: my difficulty was how to
please mine. Recognizing in myself none of the qualities calculated
to awaken love, I lavished upon myself all that I lacked. I rode
like Castor and Pollux; I played the lyre like Apollo; Mars wielded
his arms with less power and skill: a hero of romance or history, I
heaped fictitious adventures on fiction itself! The shades of Morven's
daughters, the sultanas of Bagdad and Granada, the ladies of the
castles of olden time; baths, perfumes, dances, Asiatic delights were
all borne to me by a magic wand.
See this young queen coming, decked in diamonds and flowers (it
was still my sylph): she fetches me at midnight, across gardens of
orange-trees, in the galleries of a palace bathed by the waves of the
sea, on the balmy shore of Naples or Messina, beneath a sky of love
pierced by the light of Endymion's star; she advances, an animated
statue by Praxiteles, amidst motionless statues, pale pictures and
frescoes white and silent in the moonlight: the soft sound of her
progress over the marble mosaic mingles with the imperceptible murmurs
of the deep. The royal jealousy encompasses us. I fall at the knees of
the sovereign of Enna's plains; the silk waves from her loosened diadem
fall caressingly upon my brow as she bends her girlish head over my
face, and her hands rest upon my breast, throbbing with respect and
with desire.
On emerging from these dreams, when I found myself once more a poor
little obscure Breton lad, without fame, beauty, or talents, who would
attract the looks of none, who would pass unknown, whom no woman would
ever love, I was seized with despair: I no longer dared lift my eyes to
the dazzling image I had attached to my steps.
This delirium lasted two whole years, during which the faculties of my
soul attained the loftiest pitch of exaltation. I used to speak little,
I now spoke not at all; I used still to study, I flung my books aside;
my taste for solitude redoubled. I had all the symptoms of a violent
passion: my eyes grew hollow; I fell away; I could not sleep; I was
absent, melancholy, ardent, fierce. My days slipped by in a manner that
was wild, odd, insensate, and yet full of delights.
Public-domain text, read in full here on John Shaqi.
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