The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England, Volume 2 (of 6): Mémoires d'outre-tombe, volume 2
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
The orators, who had met for purposes of destruction, were unable to
agree in electing their leaders or in the methods to be employed; they
treated each other as scoundrels, pickpockets, thieves, butchers, to
the cacophony of the hisses and groans of their several groups of
devils. Their metaphors were taken from the stock of murders, borrowed
from the filthiest objects of every kind of sewer and dunghill, or
drawn from the places consecrated to the prostitution of men and
women. Gestures accentuated these figures of speech; everything was
called by its name, with cynical indecency, in an obscene and impious
pageantry of oaths and blasphemies. Destruction and production, death
and generation, one distinguished naught else through the savage
slang which deafened the ears. The speech-makers, with their shrill
or thundering voices, had interrupters other than their opponents:
the little brown owls of the cloisters without monks and the steeple
without bells played in the broken windows, in the hope of booty;
they interrupted the speeches. They were first called to order by the
jingling of the impotent bell; but when they failed to stop their
clamour, shots were fired at them to compel them to silence: they fell,
throbbing, wounded and fatidical, in the midst of the pandemonium.
Broken-down timber-work, rickety pews, ramshackle stalls, fragments
of saints rolled and pushed against the walls, served as benches
for the dirty, grimy, drunken, sweating spectators, in their ragged
_carmagnoles_, with their shouldered pikes or bare crossed arms.
The most deformed of the band obtained the readiest hearing. Mental
and bodily infirmities have played a part in our troubles: wounded
self-love has made great revolutionaries.
*
Following this precedence of hideousness, there appeared in succession,
mingled with the ghosts of the Sixteen, a series of gorgon heads.
The former doctor of the Comte d'Artois' Bodyguards, the Swiss fœtus
Marat[36], his bare feet in wooden clogs or hob-nailed shoes, was the
first to hold forth, by virtue of his incontestable claims. Holding
the office of "jester" at the Court of the people, he exclaimed, with
an insipid expression and the smirk of trite politeness which the old
bringing-up set on every face:
"People, you must cut off two hundred and seventy thousand heads!"
To this Caligula of the public places succeeded the atheistical
shoemaker Chaumette[37]. He was followed by the "Attorney-General
to the Lantern," Camille Desmoulins, a stuttering Cicero, a public
counsellor of murders worn out with debauchery, a frivolous Republican
with his puns and jokes, a maker of graveyard jests, who said that, in
the massacres of September, "all had passed off orderly." He consented
to become a Spartan, provided the making of the black broth was left to
Méot the tavern-keeper[38].
Public-domain text, read in full here on John Shaqi.
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