The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. volume 3 (of 6): Mémoires d'outre-tombe volume 3Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. volume 3 (of 6): Mémoires d'outre-tombe volume 3
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
dastardly betrayed by history, and nobly revenged by one of
our modern Euripides[59].
[Sidenote: My speech continued.]
"Coming to the successors of Anacreon, I would pause at the
amiable man[60] who, similar to the veteran of Teos[61],
still re-tells, after fifteen lustra, those love-songs
which one begins to write at fifteen years. I would also,
gentlemen, go to seek your renown on the stormy seas which
were formerly guarded by the giant Adamastor[62], and which
became appeased by the charming names of Éléonore[63] and
Virginie[64]. _Tibi rident æquora._
"Alas, too many of the talents in our midst have been
wandering and restless! Has poetry not sung in harmonious
verse of the art of Neptune[65], that so fatal art which
transported it to distant shores? And has not French
eloquence, after defending the altar and the State,
withdrawn, as though into its source, to the land where St.
Ambrose[66] first saw the light[67]? Why can I not here place
all the members of this assembly in a picture the colours of
which have not been embellished by flattery! For, if it be
true that envy sometimes obscures the estimable qualities
of men of letters, it is still more true that this class of
men is distinguished by lofty sentiments, by disinterested
virtues, by the hatred of oppression, devotion to friendship,
and fidelity to misfortune. It is thus, gentlemen, that I
love to consider a subject from all its aspects, and that I
love especially to give a serious character to literature
by applying it to the most exalted subjects of morality,
philosophy and history. With this independence of mind, I
must needs abstain from touching upon works which it is
impossible to examine without irritating the passions. Were
I to speak of the tragedy of _Charles IX_, could I refrain
from avenging the memory of the Cardinal de Lorraine and
discussing the strange lesson there given to Kings? _Caius
Gracchus, Calas, Henri VIII, Fénelon_[68] would in many
respects present sent to me a distortion of history upon
which to rest the same doctrines. When I read the satires,
I there find immolated men occupying places in the first
ranks of this assembly; nevertheless, written as they are
in a pure, elegant and easy style, they agreeably recall
the school of Voltaire, and I should take the more pleasure
in praising them inasmuch as my own name has not escaped
the author's malice[69]. But let us leave on one side works
which would give rise only to painful recriminations: I will
not disturb the memory of a writer who was your colleague
and who still numbers friends and admirers among you; he
will owe to religion, which appeared to him so contemptible
in the writings of those who defend it, the peace which I
wish to his tomb. But even here, gentlemen, shall I not have
Public-domain text, read in full here on John Shaqi.
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