The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. volume 5 (of 6): Mémoires d'outre-tombe volume 5Chateaubriand, François-René, vicomte de
History
The Memoirs of François René Vicomte de Chateaubriand sometime Ambassador to England. volume 5 (of 6): Mémoires d'outre-tombe volume 5
Chateaubriand, François-René, vicomte de
Chateaubriand, François-René, vicomte de, 1768-1848
The people, whose appearance is rustic, wear no special dress. The
women go with their heads bare or wrapped in a handkerchief in the
manner of the Paris milk-maids; their skirts are short; they walk with
Bare legs and feet, as do the children. The men are dressed, some like
the men of the people in our towns, some like our old peasants. Heaven
be praised, they have only hats, and the filthy cotton caps of our
burgesses are unknown to them.
Every day, _ut mos_, there is a performance at Waldmünchen and I used
to assist at it in the front row. At six o'clock in the morning, an
old shepherd, tall and lean, goes through the village, stopping at
different places; he blows a straight horn, six feet long, which one
would take at a distance for a speaking-trumpet or a sheep-hook. He
first produces three metallic and rather harmonious notes from it; then
he sounds the quick tune of a sort of gallop or _ranz des vaches_,
imitating the lowing of oxen and the grunting of pigs. The fanfare ends
with a long, rising _falsetto_ note.
Suddenly from every gate debouch cows, heifers, calves, bulls;
bellowing, they flood the village-square; they climb up or descend
from all the circumjacent streets and, forming into columns, take
the accustomed road to the pasturage. Follows the prancing squadron
of swine, which look like wild boars and grunt The sheep and lambs,
disposed as a rearguard, form the third part of the concert with their
bleating; the geese compose the reserve: in a quarter of an hour all
are out of sight
At seven o'clock in the evening, the horn is heard again; it is the
herds returning. The order of the march is changed: the pigs form the
van-guard, with the same music as before; a few, detached as scouts,
run at hap-hazard or stop at every corner. The sheep defile; the cows,
with their sons, daughters and husbands, bring up the rear; the geese
waddle on the flanks. All these animals reach their own homes again,
none mistakes its gate; but there are Cossacks that go marauding,
madcaps that play about and refuse to go in, young bulls that persist
in remaining with a mate which does not belong to their manger. Then
come the women and children with their little switches; they compel
the stragglers to rejoin the main body and the rebellious recruits
to submit to the rules. I delighted in this performance, just as,
formerly, Henry IV., at Chauny, used to be amused by the cow-keeper
called "Tout-le-Monde," who collected his herds to the sound of the
trumpet
[Sidenote: A study in Cattle.]
Public-domain text, read in full here on John Shaqi.
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