"Delightful," said I. "Who is he?" "I dare not tell you his name," interrupted Mrs. Porter, "but you may rest assured that he is a man of fashion and rank." "It will not do!" reiterated I, striking my head. "Tell your friend that I have no money, that I do not know how to take care of myself, and Argyle takes no care of me. Tell him that nobody wants a real steady friend more than I do; but I cannot meet a stranger as a lover. Tell him all this, if he is really handsome that is to say (for the stranger I had twice met riding down Sloane Street, accompanied by his large dog, had lately run often in my head), and let me know what he says to-morrow." Mrs. Porter acquiesced, and hearing a loud rap at my door, she hastily took her leave. This was Fanny. At his own earnest request, she had brought me the son of the rich Freeling, secretary to the General Post Office; saying, "Mr. Freeling will allow me no rest, till I have made him known to you." The young man was civil and humble, and kept a proper distance; and was rather a bore. In point of fact, at least in my humble opinion, there is no endurable medium between men of the very highest fashion and honest tradesmen, to those who have once acquired a taste and habit of living with any high-bred people. Young Freeling was a gentleman, as far as grammar and eating with his fork went; and Fanny proposed our going to Covent Garden together that evening. She wanted to show little Fanny, for by that appellation we distinguished her eldest daughter, the Harlequin farce, before she returned to school. "What is the play?" said I. "_Julius Cæsar_," answered Freeling. I was pleased beyond measure at the idea of seeing this play. I had been at but three plays in my life, all comedies. I shall never forget the delight I experienced in witnessing that fine scene between Brutus and Cassius where they quarrel, performed by John Kemble and Charles Young! Were I to live to the age of a hundred I should not forget John Kemble's energetic delivery of those beautiful lines, so finely expressive of virtuous indignation, so rich in eloquence, in force and in nerve. In short I, like Mark Antony, being no scholar, can only speak right on, and know not how to praise the poet as he merits. Yet few perhaps among the most learned have, in their hearts, done more honour to some of the natural beauties of Shakespeare than I have. I just now alluded to this passage, What, shall one of us, That struck the foremost man of all this world But for supporting robbers; shall we now, Contaminate our fingers with base bribes? And sell the mighty share of our large honours, For so much trash, as may be grasped thus? Neither was Young's excellent performance of Cassius lost upon me. The feeling manner in which he expressed these lines brought more tears into my eyes than any love scene, however pathetic, could have done: