The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 08: Convent AffairsCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 08: Convent Affairs
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
Laura having informed me that there was to be on a certain day a ball in
the large parlour of the convent, I made up my mind to attend it in such
a disguise that my two friends could not recognize me. I decided upon the
costume of a Pierrot, because it conceals the form and the gait better
than any other. I was certain that my two friends would be behind the
grating, and that it would afford me the pleasant opportunity of seeing
them together and of comparing them. In Venice, during the carnival, that
innocent pleasure is allowed in convents. The guests dance in the
parlour, and the sisters remain behind the grating, enjoying the sight of
the ball, which is over by sunset. Then all the guests retire, and the
poor nuns are for a long time happy in the recollection of the pleasure
enjoyed by their eyes. The ball was to take place in the afternoon of the
day appointed for my meeting with M---- M----, in the evening at the
casino of Muran, but that could not prevent me from going to the ball;
besides, I wanted to see my dear C---- C----.
I have said before that the dress of a Pierrot is the costume which
disguises the figure and the gait most completely. It has also the
advantage, through a large cap, of concealing the hair, and the white
gauze which covers the face does not allow the colour of the eyes or of
the eyebrows to be seen, but in order to prevent the costume from
hindering the movements of the mask, he must not wear anything
underneath, and in winter a dress made of light calico is not
particularly agreeable. I did not, however, pay any attention to that,
and taking only a plate of soup I went to Muran in a gondola. I had no
cloak, and--in my pockets I had nothing but my handkerchief, my purse,
and the key of the casino.
I went at once to the convent. The parlour was full, but thanks to my
costume of Pierrot, which was seen in Venice but very seldom, everybody
made room for me. I walked on, assuming the gait of a booby, the true
characteristic of my costume, and I stopped near the dancers. After I had
examined the Pantaloons, Punches, Harlequins, and Merry Andrews, I went
near the grating, where I saw all the nuns and boarders, some seated,
some standing, and, without appearing to, notice any of them in
particular, I remarked my two friends together, and very intent upon the
dancers. I then walked round the room, eyeing everybody from head to
foot, and calling the general attention upon myself.
Public-domain text, read in full here on John Shaqi.
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