The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 17: Return to Italy — John Shaqi
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 17: Return to ItalyCasanova, Giacomo
History
The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 17: Return to Italy
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
"I will give you an introduction to a gentleman at Berne," I said; and
after supper I gave him a letter and six sequins. He wanted to force some
of his productions on me, but I would not have them.
I was foolish enough to give him a letter to pretty Sara's father, and I
told him to write to me at Rome, under cover of the banker Belloni.
I set out from Leghorn the next day and went to Pisa, where I stopped two
days. There I made the acquaintance of an Englishman, of whom I bought a
travelling carriage. He took me to see Corilla, the celebrated poetess.
She received me with great politeness, and was kind enough to improvise
on several subjects which I suggested. I was enchanted, not so much with
her grace and beauty, as by her wit and perfect elocution. How sweet a
language sounds when it is spoken well and the expressions are well
chosen. A language badly spoken is intolerable even from a pretty mouth,
and I have always admired the wisdom of the Greeks who made their nurses
teach the children from the cradle to speak correctly and pleasantly. We
are far from following their good example; witness the fearful accents
one hears in what is called, often incorrectly, good society.
Corilla was 'straba', like Venus as painted by the ancients--why, I
cannot think, for however fair a squint-eyed woman may be otherwise, I
always look upon her face as distorted. I am sure that if Venus had been
in truth a goddess, she would have made the eccentric Greek, who first
dared to paint her cross-eyed, feel the weight of her anger. I was told
that when Corilla sang, she had only to fix her squinting eyes on a man
and the conquest was complete; but, praised be God! she did not fix them
on me.
At Florence I lodged at the "Hotel Carrajo," kept by Dr. Vannini, who
delighted to confess himself an unworthy member of the Academy Della
Crusca. I took a suite of rooms which looked out on the bank of the Arno.
I also took a carriage and a footman, whom, as well as a coachman, I clad
in blue and red livery. This was M. de Bragadin's livery, and I thought I
might use his colours, not with the intention of deceiving anyone, but
merely to cut a dash.
The morning after my arrival I put on my great coat to escape
observation, and proceeded to walk about Florence. In the evening I went
to the theatre to see the famous harlequin, Rossi, but I considered his
reputation was greater than he deserved. I passed the same judgment on
the boasted Florentine elocution; I did not care for it at all. I enjoyed
seeing Pertici; having become old, and not being able to sing any more,
he acted, and, strange to say, acted well; for, as a rule, all singers,
men and women, trust to their voice and care nothing for acting, so that
an ordinary cold entirely disables them for the time being.
Public-domain text, read in full here on John Shaqi.
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