Gaiety leads to freedom, and freedom to friendship. Mental graces are superior to bodily charms. Leonilda's frankness inspired my confidence, and I led the conversation to love, on which she talked like a past mistress. "Love," said she, "unless it leads to the possession of the beloved object, is a mere torment; if bounds are placed to passion, love must die." "You are right; and the enjoyment of a beautiful object is not a true pleasure unless it be preceded by love." "No doubt if love precedes it accompanies, but I do not think it necessarily follows, enjoyment." "True, it often makes love to cease." "She is a selfish daughter, then, to kill her father; and if after enjoyment love still continue in the heart of one, it is worse than murder, for the party in which love still survives must needs be wretched." "You are right; and from your strictly logical arguments I conjecture that you would have the senses kept in subjection: that is too hard!" "I would have nothing to do with that Platonic affection devoid of love, but I leave you to guess what my maxim would be." "To love and enjoy; to enjoy and love. Turn and turn about." "You have hit the mark." With this Leonilda burst out laughing, and the duke kissed her hand. Her governess, not understanding French, was attending to the opera, but I was in flames. Leonilda was only seventeen, and was as pretty a girl as the heart could desire. The duke repeated a lively epigram of Lafontaine's on "Enjoyment," which is only found in the first edition of his works. It begins as follows:-- "La jouissance et les desirs Sont ce que l'homme a de plus rare; Mais ce ne sons pas vrais plaisirs Des le moment qu'on les separe." I have translated this epigram into Italian and Latin; in the latter language I was almost able to render Lafontaine line for line; but I had to use twenty lines of Italian to translate the first ten lines of the French. Of course this argues nothing as to the superiority of the one language over the other. In the best society at Naples one addresses a newcomer in the second person singular as a peculiar mark of distinction. This puts both parties at their ease without diminishing their mutual respect for one another. Leonilda had already turned my first feeling of admiration into something much warmer, and the opera, which lasted for five hours, seemed over in a moment. After the two ladies had gone the duke said, "Now we must part, unless you are fond of games of chance." "I don't object to them when I am to play with good hands." "Then follow me; ten or twelve of my friends will play faro, and then sit down to a cold collation, but I warn you it is a secret, as gaming is forbidden. I will answer for you keeping your own counsel, however." "You may do so."