The Memoirs of Jacques Casanova de Seingalt, Vol. II (of VI), "To Paris and Prison": The First Complete and Unabridged English Translation, Illustrated with Old EngravingsCasanova, Giacomo
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The Memoirs of Jacques Casanova de Seingalt, Vol. II (of VI), "To Paris and Prison": The First Complete and Unabridged English Translation, Illustrated with Old Engravings
Casanova, Giacomo
Casanova, Giacomo, 1725-1798; Europe -- History -- 18th century -- Biography
The happiness I was enjoying was too complete to last long. I was fated to lose it, but I must not anticipate events. Madame de France, wife of the Infante Don Philip, having arrived in Parma, the opera house was opened, and I engaged a private box, telling Henriette that I intended to take her to the theatre every night. She had several times confessed that she had a great passion for music, and I had no doubt that she would be pleased with my proposal. She had never yet seen an Italian opera, and I felt certain that she wished to ascertain whether the Italian music deserved its universal fame. But I was indeed surprised when she exclaimed,
“What, dearest! You wish to go every evening to the opera?”
“I think, my love, that, if we did not go, we should give some excuse for scandal-mongers to gossip. Yet, should you not like it, you know that there is no need for us to go. Do not think of me, for I prefer our pleasant chat in this room to the heavenly concert of the seraphs.”
“I am passionately fond of music, darling, but I cannot help trembling at the idea of going out.”
“If you tremble, I must shudder, but we ought to go to the opera or leave Parma. Let us go to London or to any other place. Give your orders, I am ready to do anything you like.”
“Well, take a private box as little exposed as possible.”
“How kind you are!”
The box I had engaged was in the second tier, but the theatre being small it was difficult for a pretty woman to escape observation.
I told her so.
“I do not think there is any danger,” she answered; “for I have not seen the name of any person of my acquaintance in the list of foreigners which you gave me to read.”
Thus did Henriette go to the opera. I had taken care that our box should not be lighted up. It was an opera-buffa, the music of Burellano was excellent, and the singers were very good.
Henriette made no use of her opera-glass except to look on the stage, and nobody paid any attention to us. As she had been greatly pleased with the finale of the second act, I promised to get it for her, and I asked Dubois to procure it for me. Thinking that she could play the harpsichord, I offered to get one, but she told me that she had never touched that instrument.
Public-domain text, read in full here on John Shaqi.
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