The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
One evening, when I had invited a dozen or more friends to hear a
recital by the poet Lebrun, and while we were waiting for them, my
brother read aloud to me a few pages of "Anacharsis." Arriving at the
place where, in the description of a Greek dinner, the method of
preparing various sauces is explained, "We ought," said my brother,
"to try this to-night." I at once ordered up my cook and instructed
her properly, deciding that she was to make a certain sauce for the
chicken and another for the eel. As I was expecting some very pretty
women, I conceived the idea of Greek costumes, in order to give M. de
Vaudreuil and M. Boutin a surprise, knowing they would not arrive
until ten o'clock. My studio, full of things I used for draping my
models, would furnish me with enough material for garments, and the
Count de Parois, who lived in my house in the Rue de Clery, owned a
superb collection of Etruscan pottery. It happened that he came to see
me that evening. I confided my project to him, so that he supplied me
with a number of drinking-cups and vases, from among which I took my
choice. I cleaned all these articles myself, and arranged them on a
table of mahogany without a tablecloth. This done, I put behind the
chairs a large screen, which I took the precaution of concealing under
some hangings looped up at intervals, as may be seen in Poussin's
pictures. A hanging lamp threw a strong light on the table. All was
now prepared except my costumes, when Joseph Vernet's daughter, the
charming Mme. Chalgrin, was first to arrive. I immediately took her in
hand, doing her hair and dressing her up. Then came Mme. de Bonneuil,
so remarkable for her beauty, and Mme. Vigee, my sister-in-law, who,
without being pretty, had the most beautiful eyes imaginable. And
there they were, all three, metamorphosed into veritable Athenians.
Lebrun came in; we wiped off his powder, undid his side curls, and put
a wreath of laurels on his head. Then the Marquis de Cubieres arrived.
While we sent for a guitar of his, which he had turned into a gilded
lyre, I attended to his costume, and then likewise dressed up M. de
Riviere, and Chaudet, the famous sculptor.
The hour was waxing late. I had little time to think of myself. But as
I always wore white gowns in the form of a tunic--now called a
blouse--it was sufficient to put a veil and a wreath of flowers on my
head. I took particular pains in costuming my daughter, darling child
that she was, and Mlle. de Bonneuil, now Mme. Regnault d'Angely, who
was as lovely as an angel. Both were ravishing to behold, bearing a
very light antique vase, in readiness to serve us with drink.
Public-domain text, read in full here on John Shaqi.
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