The Memoirs of Madame Vigée LebrunVigée-Lebrun, Louise-Elisabeth
History
The Memoirs of Madame Vigée Lebrun
Vigée-Lebrun, Louise-Elisabeth
Painters -- France -- Biography; Portrait painting, French -- 18th century; Vigée-Lebrun, Louise-Elisabeth, 1755-1842
imagination I guessed only at a fraction of the crimes that were to be
committed.
I remember having supped at the Brongniarts's with His Excellence M.
de Sombreuil, at that time governor of the Invalides. He brought us
the news that an attempt was threatening to take the arms that he had
in reserve, "But," he added, "I have hidden them so well that I defy
any one to find them." The good man did not consider that one could
trust no one but oneself. As the arms were very soon abstracted, it
seems evident that he was betrayed by some of the servants in his
employ.
M. de Sombreuil, as notable for his private virtues as for his
military talents, was among the prisoners who were to be killed in
their cells on the second of September. The murderers gave him his
life at the tears of supplication of his heroic daughter, but,
villainous even in granting pardon, they compelled Mlle. de Sombreuil
to drink a glass of the blood that flowed in streams in front of the
prison. For a long time afterward the sight of anything with red
colour made this unfortunate young woman vomit horribly. Some years
later (in 1794) M. de Sombreuil was sent to the scaffold by the
Revolutionary tribunal.
I had made up my mind to leave France. For some years I had cherished
the desire to go to Rome. The large number of portraits I had engaged
to paint had, however, hindered me from putting my plan into
execution. But I could now paint no longer; my broken spirit, bruised
with so many horrors, shut itself entirely to my art. Besides,
dreadful slanders were pouring upon my friends, my acquaintances and
myself, although, Heaven knows, I had never hurt a living soul. I
thought like the man who said, "I am accused of having stolen the
towers of Notre Dame; they are still in their usual place, but I am
going away, as I am evidently to blame." I left several portraits I
had begun, among them Mlle. Contat's. At the same time I refused to
paint Mlle. de Laborde (afterward Duchess de Noailles), brought to me
by her father. She was scarcely sixteen, and very charming, but it was
no longer a question of success or money--it was only a question of
saving one's head. I had my carriage loaded, and my passport ready, so
that I might leave next day with my daughter and her governess, when a
crowd of national guardsmen burst into my room with their muskets.
Most of them were drunk and shabby, and had terrible faces. A few of
them came up to me and told me in the coarsest language that I must
not go, but that I must remain. I answered that since everybody had
been called upon to enjoy his liberty, I intended to make use of mine.
They would barely listen to me, and kept on repeating, "You will not
go, citizeness; you will not go!" Finally they went away. I was
plunged into a state of cruel anxiety when I saw two of them return.
But they did not frighten me, although they belonged to the gang, so
quickly did I recognise that they wished me no harm. "Madame," said
Public-domain text, read in full here on John Shaqi.
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