The memoirs of Philip de Commines, Lord of Argenton, Volume 1 (of 2) : $b Containing the histories of Louis XI. and Charles VIII., Kings of France, and of Charles the Bold, Duke of Burgundy. To which is added the Scandalous chronicle, or, secret history of Louis XI., by Jean de Troyes.Commynes, Philippe de
History
The memoirs of Philip de Commines, Lord of Argenton, Volume 1 (of 2) : $b Containing the histories of Louis XI. and Charles VIII., Kings of France, and of Charles the Bold, Duke of Burgundy. To which is added the Scandalous chronicle, or, secret history of Louis XI., by Jean de Troyes.
Commynes, Philippe de
France -- History -- House of Valois, 1328-1589
This tendency on the part of Commines to praise the princes who
successively enjoyed his aid and allegiance, is thus noticed by Sir James
Stephen:—“He regards Charles the Rash with that affectionate interest
which the heroism even of the unwise will excite in the bosoms of the
wisest. He contemplates Louis XI. with that combination of curiosity,
attachment, and awe, which minds of more than ordinary power so often
cherish for each other. The images of the fiery duke and of the crafty
king were projected in bold relief on the imagination of this acute
and vigilant observer; and the truth and distinctness of those images
forms the great charm of his retrospect of his own eventful life. The
higher charm of a just sensibility, whether to moral beauty or to the
absence of it, is, however, wanting in his pages. He is the unqualified
admirer, if not the unscrupulous apologist, of his royal master, and
seems insensible alike to the injustice of the ends at which he aimed,
and to the baseness of the means by which he pursued them. Yet man is
not less inconsistent in his faults and errors than in his virtues, and
thus, even the utilitarian Commines is unable to survey the revolutions
in which he so largely participated without an occasional, and apparently
heartfelt acknowledgment that, in bringing to pass the disastrous
catastrophes of the world’s history, the will and agency of man are
but instruments by which the Divine will accomplishes its immutable
purposes of wisdom and of justice. In the subtlety of his analysis of
the great characters of his generation—in the force and discrimination
of his portraits of them—in the sagacity with which he explores, and the
perspicuity with which he interprets, the hidden causes of the events in
which they acted,—and in the vigorous dispersion of the mists with which
ignorance or passion obscures the true aspect of human affairs, Commines
is emphatically a Frenchman. In the reverence with which, on reaching
the impassable limits of human investigation, he ceases to inquire, and
pauses to adore, he rises higher still, and becomes not only a citizen,
but a teacher of the great Christian Commonwealth.”[2]
Public-domain text, read in full here on John Shaqi.
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