Authors, French -- 19th century -- Biography; Autobiographies; Hugo, Victor, 1802-1885
On every hand were gnomes bronze-coloured, red, black, kneeling,
sitting, squatting, heaped together, opening trunks, forcing locks,
trying on bracelets, clasping necklaces about their necks, donning coats
or dresses, breaking, ripping, tearing. Two blacks were trying to get
into the same coat; each had got an arm on, and they were belabouring
each other with their disengaged fists. It was the second stage of a
sacked town. Robbery and joy had succeeded rage. In a few corners some
were still engaged in killing, but the great majority were pillaging.
All were carrying off their booty, some in their arms, some in baskets
on their backs, some in wheelbarrows.
The strangest thing about it all was that in the midst of the
incredible, tumultuous mob, an interminable file of pillagers who were
rich and fortunate enough to possess horses and vehicles, marched and
deployed, in order and with the solemn gravity of a procession. This was
quite a different kind of a medley!
Imagine carts of all kinds with loads of every description: a four-horse
carriage full of broken crockery and kitchen utensils, with two or three
dressed-up and beplumed negroes on each horse; a big wagon drawn by oxen
and loaded with bales carefully corded and packed, damask armchairs,
frying pans and pitchforks, and on top of this pyramid a negress wearing
a necklace and with a feather stuck in her hair; an old country coach
drawn by a single mule and with a load of ten trunks and, ten negroes,
three of whom were upon the animal’s back. Mingle with all this bath
chairs, litters and sedan chairs piled high with loot of all kinds,
precious articles of furniture with the most sordid objects. It was
the hut and the drawing-room pitched together pell-mell into a cart, an
immense removal by madmen defiling through the town.
What was incomprehensible was the equanimity with which the petty
robbers regarded the wholesale robbers. The pillagers afoot stepped
aside to let the pillagers in carriages pass.
There were, it is true, a few patrols, if a squad of five or six monkeys
disguised as soldiers and each beating at his own sweet will on a drum
can be called a patrol.
Near the gate of the town, through which this immense stream of vehicles
was issuing, pranced a mulatto, a tall, lean, yellow rascal, rigged out
in a judge’s gown and white tie, with his sleeves rolled up, a sword in
his hand, and his legs bare. He was digging his heels into a fat-bellied
horse that pawed about in the crowd. He was the magistrate charged with
the duty of preserving order at the gate.
A little further on galloped another group. A negro in a red coat with
a blue sash, a general’s epaulettes and an immense hat surcharged with
tri-colour feathers, was forcing his way through the rabble. He was
preceded by a horrible, helmetted negro boy beating upon a drum, and
followed by two mulattoes, one in a colonel’s coat, the other dressed as
a Turk with a hideous Mardi Gras turban on his ugly Chinese-like head.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account