Authors, French -- 19th century -- Biography; Autobiographies; Hugo, Victor, 1802-1885
What is tobacco, that is so precious and so dear to the prisoner? It
is a dream. “Put me in the dungeon,” said a convict, “but give me some
tobacco.” In other words: “Throw me into a pit, but give me a palace.”
Press the prostitute and the bandit, mix Tartarus and Avernus, stir the
fatal vat of social mire, pile all the deformities of matter together,
and what issues therefrom? The immaterial.
The ideal is the Greek fire of the gutter. It burns there. Its
brightness in the impure water dazzles the thinker and touches his
heart. Nini Lassive stirs and brightens with Fiesehi’s bilets-doux that
sombre lamp of Vesta which is in the heart of every woman, and which
is as inextinguishable in that of the courtesan as in that of the
Carmelite. This is what explains the word “virgin,” accorded by the
Bible equally to the foolish virgin and to the wise virgin.
That was so yesterday, it is so to-day. Here again the surface has
changed, the bottom remains the same. The frank harshness of the Middle
Ages has been somewhat softened in our times. Ribald is pronounced
light o’ love; Toinon answers to the name of Olympia or Imperia;
Thomasse-la-Maraude is called Mme. de Saint Alphonse. The caterpillar
was real, the butterfly is false; that is the only change. Clout has
become chiffon.
Regnier used to say “sows “; we say “fillies.”
Other fashions; same manners.
The foolish virgin is lugubriously immutable.
III.
Whosoever witnesses this kind of anguish witnesses the extreme of human
misfortune.
Dark zones are these. Baleful night bursts and spreads o’er them. Evil
accumulated dissolves in misfortune upon them, they are swept with
blasts of despair by the tempest of fatalities, there a downpour of
trials and sorrows streams upon dishevelled heads in the darkness;
squalls, hail, a hurricane of distress, swirl and whirl back and forth
athwart them; it rains, rains without cease: it rains horror, it rains
vice, it rains crime, it rains the blackness of night; yet we must
explore this obscurity, and in the sombre storm the mind essays a
difficult flight, the flight of a wet bird, as it were.
There is always a vague, spectral dread in these low regions where
hell penetrates; they are so little in the human order and so
disproportionate that they create phantoms. It is hardly surprising,
therefore, that a legend should be connected with this sinister bouquet
offered by Bicêtre to La Salpêtrière or by La Force to Saint Lazare; it
is related at night in the cells and wards after the keepers have gone
their rounds.
It was shortly after the murder of the money-changer Joseph. A bouquet
was sent from La Force to a woman’s prison, Saint Lazare or the
Madelonnettes. In this bouquet was a sprig of white lilac which one of
the women prisoners selected.
Public-domain text, read in full here on John Shaqi.
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