Ever since early childhood, Eric remembered looking forward to
ceremonies of this sort. A Stranger would have been caught by one of
the warrior bands, and it would be determined that he was an outlaw.
Nine times out of ten, such a man was easy enough to identify. No one
but an outlaw, for example, would be wandering the burrows by himself,
without a band or at least a single companion to guard his back. The
tenth time, when there was the slightest doubt, a request for ransom
to his people would make the prisoner's position clear. There would
be a story of some unforgivable sacrilege, some particularly monstrous
crime that could be punished by nothing but complete anathema and the
revocation of all privileges as a human being. The man had escaped the
punishment being prepared for him. Do with him as you will, his people
would say. He is no longer one of us; he is the same as a Monster; he
is something non-human so far as we are concerned.
Then a sort of holiday would be declared. Out of the bits and pieces
of lumber stolen from Monster territory and set aside by the women for
this purpose, the members of the Female Society would erect a structure
whose specifications had been handed down from mother to daughter for
countless generations--all the way back to the ancestors who had built
the Record-Machines. It was called a Stage or a Theater, although Eric
had also heard it referred to as The Scaffold. In any case, whatever
its true name, most of the details concerning it were part of the
secret lore of the Female Society and, as such, were no proper concern
of males.
One thing about it, however, everyone knew. On it would be enacted a
moving religious drama: the ultimate triumph of humanity over the
wickedness of the Monsters.
For this, the central character had to fulfill two requirements. He had
to be an intelligent creature, as the Monsters were, so that he could
be made to suffer as some day Mankind meant the Monsters to suffer;
and he had to be non-human, as the Monsters were, so that every drop
of fear, resentment and hatred distilled by the enormous swaggering
aliens could be poured out upon his flesh without any inhibition of
compunction or fellow-feeling.
For this purpose, outlaws were absolutely ideal, since all agreed that
such disgusting creatures had resigned their membership in the human
race.
* * * * *
When an outlaw was caught, work stopped in the burrows, and Mankind's
warrior bands were called home. It was a great time, a joyous time,
a time of festival. Even the children--doing whatever they could to
prepare for the glorious event, running errands for the laboring women,
fetching refreshment for the stalwart, guarding men--even the children
boasted to each other of how they would express their hatred upon this
trapped representative of the non-human, this bound and shrieking
protagonist of the utterly alien.
Public-domain text, read in full here on John Shaqi.
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