Art -- England; English literature -- 19th century -- History and criticism
Like all artistic and literary movements this one had, in the shape
of various periodicals, its manifestoes. In fact, it was a period
particularly rich in this kind of fruit. In _The Hobby Horse_ the
voices of the new spirit were mingled for the first time with those
of the past. There were, among other magazines, _The Rose Leaf_, _The
Chameleon_, _The Spirit Lamp_, _The Pageant_, _The Evergreen_, _The
Parade_, _The Quarto_, _The Dome_, _The Chord_, while among the popular
papers _The Idler_, _To-Day_, and _Pick-me-Up_ produced the work of men
like Edgar Wilson and S. H. Sime; and, further, _The Butterfly_, _The
Poster_, and _The Studio_ must be carefully studied for the tendencies
of the time. But the two principal organs of the movement were, beyond
all doubt, _The Yellow Book_ and _The Savoy_. Round them, as around the
shrines of old beside the Ægean, gather the faithful and the chosen. In
the other publications there was too much jostling with the profane,
but here ‘_Procul profani_.’ It will be well, therefore, although it
has been done more or less before, to study these two magazines in some
detail, and also their literary editors who gathered the clan together.
In both cases Beardsley was the art editor, though he was ‘fired,’ to
put it plainly, from _The Yellow Book_ after its fourth number. His
influence, therefore, permeated both. In fact, he made them both works
of value for the coming generations, and particularly in the case of
_The Savoy_ he bore the burden of the day and saved the monthly from
fatuity. When he leaves _The Yellow Book_ it will be found to be never
the same. When he is too ill to be active in _The Savoy_ it becomes
very small beer. So interwoven with the lives and values of these
publications is the genius of Beardsley that one cannot speak of the
one without referring to the other. Of Beardsley himself I have already
spoken, so I propose to confine myself strictly to the art editor,
while dealing first with _The Yellow Book_ and its literary editor,
Henry Harland, and then with _The Savoy_ and Mr. Arthur Symons.
Public-domain text, read in full here on John Shaqi.
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