The Mentor: American Landscape Painters, Vol. 1, Num. 26, Serial No. 26 — John Shaqi
The Mentor: American Landscape Painters, Vol. 1, Num. 26, Serial No. 26Isham, Samuel
General
The Mentor: American Landscape Painters, Vol. 1, Num. 26, Serial No. 26
Isham, Samuel
Landscape painters -- United States; Landscape painting, American
A visit to Cincinnati, where he saw the work of George Inness, may be
considered the beginning of Wyant’s artistic career. From that time on,
his one ambition in life was to be a great painter. He set out for New
York City as soon as he could get money enough together, found Inness,
and received from the master painter both help and encouragement.
Inness saw great possibilities in this Ohio boy.
On his return Wyant made studies of the Ohio Valley, where no artist of
any account had ever painted. He threw into his work all the energy and
enthusiasm of which his poetic genius was capable.
The year 1865 brought the opportunity to which Wyant had long looked.
He was able to go abroad, and study there for awhile in Karlsruhe and
London. But the result was somewhat disappointing; for he failed to get
the inspiration he expected from contact with European painters.
Another disappointment was in store for him when he undertook, like
Moran, to explore the West. Indeed, it was more than a disappointment.
He was treated so brutally by the leader of the expedition that on
returning he suffered a stroke of paralysis. Although he never entirely
recovered, Wyant would not give up the old determination to be a great
artist. His right hand useless, the invincible painter learned to use
his left, and with it did more perfect work than he had ever done with
the other.
It is a fact which cannot be too much regretted that Wyant reached the
end of his life before his genius could be perfected. He himself knew
that it would be so. “Had I but five years more in which to paint,” he
said, “I think I could do the thing I long to.” In the mystic coloring
of his Adirondack scenes we catch glimpses of the thing he longed to
do.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 1, No. 26, SERIAL No. 26
[Illustration: IN NATURE’S PLAYGROUND By THOMAS MORAN]
_AMERICAN LANDSCAPE PAINTERS_
_Thomas Moran_
FOUR
Though a true American, taking great pride in his chosen country and
her art, Moran is English by birth. When he was but seven years old the
boy’s parents settled in Philadelphia, where he received his education.
That he should soon show remarkable talent was not at all surprising,
as the family he belongs to has produced nine distinguished artists.
Thomas Moran was apprenticed to a wood engraver, whose art he mastered
before starting to work in color. Engraving has in fact occupied a
considerable part of his life ever since, and his etchings are among
the best that have been done in America. He has also great skill in
water color; though he is best known for his oil paintings.
Public-domain text, read in full here on John Shaqi.
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