The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123 — John Shaqi
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123Lounsbery, Elizabeth
General
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123
Lounsbery, Elizabeth
Miniature painting -- United States; Portrait painters -- United States; Portrait painting, American -- 19th century
In the Metropolitan Museum of Art, New York City]
John Singleton Copley was another famous artist of this period. He
was renowned for his large portraits in oil, which were characterized
by a skilful treatment of silks and rich fabrics for both costumes
and elaborate backgrounds, and yet he painted many miniatures. John
Trumbull, known chiefly as a painter of stirring historical subjects
of the Revolutionary era and for his portraits of Washington, also
worked in miniatures, as did John Hesselius, in Annapolis. Gilbert
Stuart, while a prolific painter of portraits, is not said by his
biographers to have painted miniatures, although several have been
attributed to him.
The fact that many miniatures, even by the greater artists, were
not signed or dated, has made it difficult to determine the origin
of some of the most beautiful examples, or to place them definitely
as the work of American painters. Moreover, miniatures brought back
as souvenirs by those who were able to travel abroad in those days
introduced the work of foreign artists, often unsigned, among American
miniatures, thus making identification more difficult.
[Illustration: JULIANA M. McWHORTER, BY BENJAMIN TROTT
In the possession of the New York Historical Society]
Edward G. Malbone, born in Newport, R.I., in 1777, was destined to
become the most important miniature painter of his time in America.
Malbone had the gift of realism; of simple, unaffected grace and a
sureness of rendition that compelled attention. His portraits were
likenesses of intimate and convincing truth. "The Hours," Malbone's
most famous work, a fanciful subject depicting the past, present and
future hour and painted in 1801, after a short period of study in
England, is now the property of the Providence Athenæum. Many of his
portrait miniatures are owned by individuals throughout the South,
where he spent several years, and prematurely died in the height of
his career, at the age of thirty. A group of his portraits is also
included in the Metropolitan Museum collection.
[Illustration: GILBERT STUART, BY SARAH GOODRIDGE
In the Metropolitan Museum of Art, New York City]
[Illustration: GILBERT STUART, BY ANSON DICKERSON
In the possession of the New York Historical Society]
Public-domain text, read in full here on John Shaqi.
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