The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123Lounsbery, Elizabeth
General
The Mentor: American Miniature Painters, January 15, 1917, Serial No. 123
Lounsbery, Elizabeth
Miniature painting -- United States; Portrait painters -- United States; Portrait painting, American -- 19th century
By Richard Cosway, R.A.]
[Illustration: SIR CHARLES OAKELEY
By John Smart]
[Illustration: A YOUNG MAN IN MOURNING
(1616) By Nicholas Hilliard]
[Illustration: COL. HENRY SIDNEY (1665)
By Samuel Cooper]
The development of miniature painting, especially as it is applied to
portraits, is largely English, and our early American miniaturists
drew their art from English painters. We present on this page
reproductions of the work of four of the most famous early English
miniature painters. The first of whom anything definite is known was
Nicholas Hilliard (1547-1619). His work shows a close observation of
the art of Hans Holbein. His little portraits look as if they had been
taken out of illuminated manuscripts. His colors are solid, and gold
is used to heighten the effect. Some of his pictures, moreover, are
accompanied by Latin mottoes. Nicholas Hilliard had a son, Lawrence,
whose work was similar to that of his father, but a little bolder in
treatment and richer in color. Some years later came Samuel Cooper
(1609-1672), reckoned by some the greatest English miniaturist. His
work was broad and dignified, and has been referred to as "_life-size
work in little_." His portraits of the prominent men of the Puritan
period are vigorous, and true to life. The picture of Colonel Sidney,
printed herewith, is interesting as showing the photographic fidelity
of Cooper's work. There were many miniature painters during the
eighteenth century, among whom Richard Cosway (1742-1821) stands
prominent. His works were greatly admired for their smartness and
brilliancy. In miniature form he pictured the pretty girl of the day.
There were many people, however, of that same time that preferred the
work of John Smart (1741-1811), for while he lacked the dashing style
of Cosway, he excelled in refinement, power and delicacy--in "silky
texture and elaborate finish." Smart's work was very popular, for he
pictured fine people in fine style. The little portrait of Sir Charles
Oakeley, printed here, is a typical example of Smart's work.
The Cosway and Smart miniatures on this page are taken from the
collection of Mr. J. Pierpont Morgan; the Hilliard and Cooper
miniatures from the collection of the Duke of Portland.
[Illustration: W. D. Moffat signature]
EDITOR
THE MENTOR ASSOCIATION
ESTABLISHED FOR THE DEVELOPMENT OF A POPULAR INTEREST IN ART,
LITERATURE, SCIENCE, HISTORY, NATURE, AND TRAVEL
=CONTRIBUTORS=--PROF. JOHN C. VAN DYKE, HAMILTON W. MABIE,
PROF. ALBERT BUSHNELL HART, REAR ADMIRAL ROBERT E. PEARY, WILLIAM T.
HORNADAY, DWIGHT L. ELMENDORF, HENRY T. FINCK, WILLIAM WINTER, ESTHER
SINGLETON, PROF. G. W. BOTSFORD, IDA M. TARBELL, GUSTAV KOBBÉ, DEAN C.
WORCESTER, JOHN K. MUMFORD, W. J. HOLLAND, LORADO TAFT, KENYON COX,
E. H. FORBUSH, H. E. KREHBIEL, SAMUEL ISHAM, BURGES JOHNSON, STEPHEN
BONSAL, JAMES HUNEKER, W. J. HENDERSON, AND OTHERS.
Public-domain text, read in full here on John Shaqi.
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