The Mentor: American Novelists, Vol. 1, No. 25Mabie, Hamilton Wright
General
The Mentor: American Novelists, Vol. 1, No. 25
Mabie, Hamilton Wright
Authors, American
[Illustration: W. D. HOWELLS IN HIS LIBRARY]
Born in the Central West, Mr. Howells has kept its democracy of
spirit and reinforced it by familiarity with modern languages and
literature. In his lighter work he has made studies of the whims
and foibles of certain feminine types in this country, of such
fidelity that they have disturbed those who believe that Americans
should tell the truth about themselves only to themselves, and that
to take Europe into the national confidence is a kind of petty
treason. But if Mr. Howells has seemed sometimes to draw American
women with too light a hand, no one so well as he has conveyed a
sense of the purity of American women, and the wholesome tone
of American social life outside the very limited circle of what
is known as the “Fast Set,”--a group of men and women who are
representative not of a nation, but of the attitude toward life so
strikingly defined in “The House of Mirth.” In his graver mood Mr.
Howells has given us “The Rise of Silas Lapham,” one of the lasting
achievements of American fiction, and “A Hazard of New Fortunes,”
both original studies of American life during the age of great
fortune-making. The charm of Mr. Howells’ art and the refinement of
his humor have not given him the popularity of the more dramatic
novelists; but he has made a place of high importance for himself
in American literature, and in the hearts of a host of readers who
have discerned in him a singularly pure and lovable nature.
THOMAS NELSON PAGE
The aftermath of the war between the States was an idealization of
the old social order in the South. Mr. Page and Mr. Allen found
in the tradition and habit of the Old South elements of a romance
founded on reality. Society in the South before the war received
its tone from men and women bred in habits of deference and
courtesy, sensitive to any slight put upon honor, and prodigal of
hospitality. It had rested on an unstable basis; but it had those
delightful qualities which came with leisure, easy conditions, and
the absence of commercial spirit. This vanishing order found in Mr.
Page’s earliest stories a record true to life and yet enveloped
in the air of romance. “Marse Chan,” “Unc’ Edinburg,” and “Meh
Lady” gave the country a thrill of pleasure, so sure was their
appeal to sentiment, so refreshingly human and unforced, a rich
and picturesque life of its own, a fresh field for the romance of
spiritual adventure and social habit.
[Illustration: BIRTHPLACE OF THOMAS NELSON PAGE
_Oakland Plantation, Hanover County, Virginia._]
In these moving tales, told with unobstrusive artistic skill, the
long-suspended literary tradition of Virginia received an impulse
which has since given the country a group of stories of original
quality.
JAMES LANE ALLEN
Public-domain text, read in full here on John Shaqi.
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