The Mentor: American Pioneer Prose Writers,: Vol. 4, Num. 6, Serial No. 106, May 1, 1916 — John Shaqi
The Mentor: American Pioneer Prose Writers,: Vol. 4, Num. 6, Serial No. 106, May 1, 1916Mabie, Hamilton Wright
General
The Mentor: American Pioneer Prose Writers,: Vol. 4, Num. 6, Serial No. 106, May 1, 1916
Mabie, Hamilton Wright
American prose literature; Authors, American
The literatures of the great nations have begun with the childhood of
those nations; that is to say, with fairy tales and legends and songs
of heroism; with Homer’s “Iliad” and “Odyssey,” the Song of Beowulf
(bay´-o-wulf), to name a few among many of the great beginnings of
writing. In this country the pioneer writers shared the conditions of
the pioneer builders of homes and communities. They were not, however,
a people in their intellectual infancy. The country was new; but the
people were old. They had all left literature of a high order behind
them. Many of them must have been familiar with poetry and prose in
English, French, and German, to say nothing of the classic literature
which the scholars knew; and there were many scholars, north and south,
among the early settlers.
The exploration and settlement of the country was a great adventure,
which involved not only peril, but very hard work. In every colony
people had to begin at the beginning,--to get roofs over their heads
to protect them from the climate, to raise the things they were to
eat, to protect themselves from the Indians,--to do a thousand things
of which people of our day are unconscious because they were done so
long ago. The distances between the colonies were great, the means of
communication were slow and infrequent, and the colonists knew very
little of one another. They were isolated communities, not in any
sense a nation. And so the early writing was the expression of the
experiences and convictions of small communities. There cannot be a
national literature until there is a national consciousness; and in the
early days in America there was not even a sectional consciousness.
There was only local consciousness.
[Illustration: THE JONATHAN EDWARDS ELM, Northampton, Mass.
Set by Jonathan Edwards in 1730--The house of Josiah D. Whitney stands
on the right of Edwards’ house]
The first book written on the continent was by that flamboyant, but
very versatile Virginia colonist, Captain John Smith; a brave soldier,
with a very warm and highly inventive imagination, whose habit of
boasting has robbed him of a great deal of credit which really belonged
to him. He wrote an account of adventures in Virginia, which may be
taken as the beginning of American writing, and still has value. There
was a long interval during which the writing of the colonists was
devoted to theological discussion, or to accounts of the new world in
which they were living.
A large part of the early writings of New England was more or less
theological; but none of this writing rose to the rank of literature
until Jonathan Edwards appeared in the first half of the eighteenth
century.
JONATHAN EDWARDS
Public-domain text, read in full here on John Shaqi.
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